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SILENT RAGE

A sometimes-bumpy but always compelling tale about a budding murderer.

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A teacher witnesses the birth of a serial killer in the form of one of her students in this debut psychological thriller. 

Libby Teach barely escaped a serial killer when she was 9 years old: her own Uncle Roger, who molested her and warned her to never tell. Now she works as a sixth grade teacher. One of her students is Russell Thomas, the son of a serial killer. Roger Allen Watson—the Trailer Park Murderer, who met his end via lethal injection—raped Russell’s mother when she was just 14. She now works as a stripper and prostitute, and her boyfriend, Wayne Jetsoe, molests 12-year-old Russell whenever he gets the chance. Russell likes Miss Teach: “She was pretty and seemed to care about all of her students even Russell. Maybe especially Russell. She often stood by his desk when she was lecturing about history and smiled at him like they shared a secret or something.” For her part, Libby is starting to worry about Russell and the violent things he writes in his journal. Is it possible that he may have inherited a few things from his father—the same man who molested Libby when she was a girl? Funk’s plot is an intricate dance between the various characters: not just Libby and Russell, but also others, including psychotic Wayne and handsome policeman Mike O’Malley, the protagonist’s love interest. The author’s prose is broad and simple: “Bud was the local go to guy for most drugs. Users like Leo were always looking for a new way to get high and forget about their miserable existence. Ironically, Bud was a conscientious drug dealer. He didn’t want his regulars getting messed up and dying.” Funk attempts to not only show how a serial killer behaves, but to identify the childhood roots of that behavior as well. In that sense, the book succeeds: Readers will feel badly for Russell even as they are horrified by what he is becoming. While the presentation is not quite as smooth as it could be, the novel is generally thrilling and thoroughly unafraid to take readers to some very dark places.

A sometimes-bumpy but always compelling tale about a budding murderer.

Pub Date: Nov. 13, 2018

ISBN: 978-1-72875-892-3

Page Count: 267

Publisher: Self

Review Posted Online: Nov. 13, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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