by Dean De Servienti ‧ RELEASE DATE: Sept. 30, 2016
Smart sci-fi with a much-desired object that’s far more engaging than the average MacGuffin.
Various agencies hunt six scientists who’ve gone into hiding after unearthing an ancient artifact of indeterminate origin in De Servienti’s (Life Turns, 2016, etc.) sci-fi thriller.
Dan Foster and Jodie Stanford, two American physicians in Darfur, Sudan, make a discovery with unforeseen consequences. It’s merely a cylinder, about 5 feet in length, but after Dan, Jodie, and their scientist colleagues run tests on it at a London lab, the group of six suddenly vanishes. This piques the interest of the Vatican’s intelligence service, as well as a few other agencies, including Israel’s Mossad. The latter isn’t exactly sure what the cylinder is, but does know that it’s roughly 250 million years old and made of an unknown material. Mossad enlists an enigmatic freelancer named Shadow to recover the object and assassinate the scientists, who are now considered fugitives. At the same time, Yoshi Araki, a man who hunts down lost or missing items, is hired by wealthy English client Raymond Hooper to locate the cylinder and, simultaneously, Raymond’s Italian girlfriend, Francesca Farini, one of the aforementioned scientists. As Yoshi and Shadow separately make their way to the United States, the fugitives’ assumed destination, the CIA gets wind of what’s happening. Believing that the cylinder is a weapon of mass destruction, the agency authorizes its agents to use lethal force when they find the scientists—if Shadow doesn’t find them first. This novel was originally published in Italian, and Shugaar’s English translation clearly renders De Servienti’s intelligent narrative. The scientific discourse, especially after the cylinder activates itself, is absorbing as well as surprising. Americans are primarily the villains and mostly incompetent, as represented by brash, racist CIA operative Jeff Bradley; they’re also often a step or two behind both Yoshi and Shadow. But although the CIA isn’t much of a menace, the threat of someone killing the scientists is perfectly clear. There are some memorable characters here, particularly Yoshi and his younger biological sister, Midori, who are both highly skilled in martial arts; it turns out that Midori may also be in love with Yoshi, and not like a sibling. There’s a satisfying wrap-up, and although the story barely scratches the artifact’s surface, it will fortunately continue in a proposed series.
Smart sci-fi with a much-desired object that’s far more engaging than the average MacGuffin.Pub Date: Sept. 30, 2016
ISBN: 978-0-9974899-2-7
Page Count: 368
Publisher: CreateSpace
Review Posted Online: Oct. 21, 2016
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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