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A RUNNER’S HIGH

MY LIFE IN MOTION

A book that will inspire athletes of all stripes, whatever their aches and pains, to hit the ground running.

In his latest running memoir, Karnazes reckons with age.

Since his debut, Ultramarathon Man (2006), the author has done as much as anyone to bring ultrarunning to the mainstream, extolling the virtues of the sport as he recounts his astonishing feats of endurance. In this book, Karnazes demonstrates his outsize influence; seemingly every few pages, another runner approaches him (often midrace) to show their appreciation. If this setup sounds boastful, be assured that the author has a knack for self-deprecation that he deploys smartly in these scenes. Such humility seems easier for Karnazes to achieve than it has been before, and this book finds him at a kind of nadir in his career. He’s in his late 50s, out of shape (relatively speaking), and running a 100K ultra in an attempt to fitness-cram before another extremely difficult race he hopes to run. The narrative is less the story of another Karnazes triumph than a tale of reckoning with an inevitability faced by all athletes: decline. Lying on the ground after a fall, he reflects, “my younger self could waltz through a 100K, but now such contests invariably digressed into Homeric slugfests. Maybe I didn’t belong out here anymore; maybe it was time to quit. I continued staring at the sky, contemplating my reason for being.” The tinge of self-pity reads as appropriate to the circumstance, and the author’s openness to introspection gives this book more depth than some of his others. He won’t be mistaken for a belletrist, but the text’s more lyrical sections are appropriate to the moment. As ever, Karnazes is at his best telling the simple truths of running: “To me, running is a grand adventure, an intrepid outward exploration of the landscape and a revealing inward journey of the self.”

A book that will inspire athletes of all stripes, whatever their aches and pains, to hit the ground running.

Pub Date: April 20, 2021

ISBN: 978-0-06-295550-0

Page Count: 256

Publisher: HarperOne

Review Posted Online: Feb. 5, 2021

Kirkus Reviews Issue: March 1, 2021

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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