Heady stuff for a pup, but Koontz’s talent lies in making the preposterous believable. Was Trixie some sort of angel?...
In his nonfiction debut, mega-bestselling novelist Koontz (In Odd We Trust, 2008, etc.) presents a humorous, poignant portrait of his remarkable dog.
The author and his wife adopted three-year-old Trixie in 1998. Elbow surgery forced the golden retriever into early retirement from Canine Companions for Independence (CCI), an organization that raises and trains assistance dogs for people with physical disabilities. Trixie fit right into the Koontzes’ disciplined writing life and spotless California home. She was so well-trained that she relieved herself on command and rested calmly under restaurant tables, ignoring tasty scraps thrown to her by other diners. But impeccable behavior and uncanny intelligence—including attempts at speech—never diluted her exuberance or innocence. These qualities restored Koontz’s sense of wonder and encouraged him to take more risks in his fiction writing. Here, the media-shy author opens up about childhood poverty, love for his wife and his spiritual beliefs. He also provides plenty of laughs, borne more of his self-effacing humor and mastery of language than doggie antics—though Trixie’s “own” essay is certainly a highlight. Any post-Marley dog memoir cannot escape comparison to John Grogan’s blockbuster. Determined to convey that the exquisite magic and mystery of Trixie put her on a different plane, Koontz preempts the debate early on. “This is not going to be a memoir about a pillow-destroying, cat-chasing, furniture-chewing, miscreant kind of canine,” he writes, “she was something more than a dog…this spirit was a wonder and a revelation.” Trixie defied conventional wisdom from animal behaviorists who believe that dogs cannot express emotions, judge character or remember things as humans can. Friends, family and strangers corroborated that Trixie was “special” in an otherworldly sense. Unprompted, an Indian neighbor informed Koontz, “Your dog is a person who has almost arrived at complete enlightenment and will in the next life be perfect and blameless, a very great person.”
Heady stuff for a pup, but Koontz’s talent lies in making the preposterous believable. Was Trixie some sort of angel? Regardless, her enchanting story will have fans panting for more.Pub Date: Aug. 25, 2009
ISBN: 978-1-4013-2352-3
Page Count: 260
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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