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HIDEAWAY

Koontz's novels crest bestseller lists not only for their heart-pounding horrors but also for their celebration of righteousness and redemption. Here, the author of Cold Fire, etc., offers his most overtly religious tale yet—a fiercely exciting battle between two men who have returned from the dead. The California-set conflict is as simple as good vs. evil. In a roaringly suspenseful opening, antique-dealer Hatch Harrison, the soul of sweetness, drowns during a car accident that nearly kills his wife Lindsey as well, and is surgically ``reanimated'' after a record 80 minutes dead. Meanwhile, a life-hating young man known only by his self-adopted demonic name of Vassago stalks the subbasement of a nearby abandoned amusement park, admiring the rotting bodies of those he's sacrificed to Satan in hopes of being allowed to return to hell—which he apparently visited during his own brush with death. Upon awakening, Hatch's first words are ``Something's out there''—for he now suffers a psychic link with Vassago, who, days later, reaps a new ``trophy'' as Hatch helplessly flashes on the savage killing. And at the same time, Vassago flashes on Hatch's world, including Lindsey and spunky, crippled Regina, the orphan the Harrisons have just adopted in their new embrace of life after years of mourning a son lost to cancer. Deciding that vibrant Regina would make the perfect final offering to Satan, Vassago—revealed through tense and brutal flashback as the homicidally deranged son of the surgeon who saved Hatch—cuts a bloody path to the Harrisons' door, kidnapping Regina off to his underground lair. In a slam-bang finale, amidst charnel- house horrors, the Harrisons take on Vassago with a gun, a crucifix, and a little angelic help. A grandly melodramatic morality play that will have Koontz's fans—both here and in heaven—cheering. (Literary Guild Dual Selection for March)

Pub Date: Jan. 16, 1992

ISBN: 0-399-13673-8

Page Count: 384

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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