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BLOOD BROTHERS

THE STORY OF THE STRANGE FRIENDSHIP BETWEEN SITTING BULL AND BUFFALO BILL

Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before,...

Blood is thicker than water, but friendship is perhaps thickest of all, particularly when it acts as a poultice for seemingly unhealable wounds.

Relating large events in the guise of paired persons, friends or enemies, is an old storytelling strategy, not much used these days. Stillman (Desert Reckoning: A Town Sheriff, a Mojave Hermit, and the Biggest Manhunt in Modern California History, 2012, etc.) neatly revives it in this portrait of the uncomplicated, mutually admiring friendship of the Lakota leader Sitting Bull and William Cody, aka Buffalo Bill. Adding a third to them in the form of the sharpshooter and all-around interesting person Annie Oakley, the author looks at the clash of cultures and how each character resolved or sometimes ignored differences to form bonds of respect. Along the way, as is her special talent, Stillman places these and other characters at the center of major events that they perhaps did not know were major at the time. In one fine moment, she profiles Custer’s horse, Comanche, noting that the poor beast, drafted onto the pack train “in spite of retirement,” was also an unwitting witness to the massacre of Sioux Indians at Wounded Knee. Acknowledging the terrible coincidence that terrible things have tended to happen to Native people at the time of “important holidays of the white man,” Stillman gives an account of the tragic murder of Sitting Bull that’s as good as any in the literature. She closes by observing how the lives of her three principals can be seen in the context of the still ongoing “journey of healing our original sin—the betrayal of Native Americans,” a journey that requires continued goodwill, to say nothing, perhaps, of a revival of the Ghost Dance to sing peace into the world.

Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully.

Pub Date: Oct. 31, 2017

ISBN: 978-1-4767-7352-0

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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