At turns harrowing and inspiring; also serves as a valuable piece of education on recovery from brain injury.

BUT MY BRAIN HAD OTHER IDEAS

A MEMOIR OF RECOVERY FROM BRAIN INJURY

Brandon’s debut memoir details her experiences with her “bloody brain,” from stays in the intensive care unit to a turbulent life after surgery.

In 2007, Brandon worked as a math professor at Carnegie Mellon, well respected among students and colleagues. After experiencing strange symptoms—bouts of confusion and numbness—doctors discovered cavernous angiomas in Brandon’s brain and brain stem. These angiomas, described as “malformed blood vessels in [the] brain,” cause severe problems when they bleed. After initial treatment, Brandon’s doctors believed that she was out of danger. Within six months, however, the bleeds came back. She experienced multiple seizures and frequent bouts of confusion. Brandon decided to have a risky set of surgeries to remove the angiomas. The surgery was successful, but its invasive nature forced Brandon into extensive rehab. Recovery from brain injury doesn’t occur linearly, though, and Brandon dealt with myriad mental and physical issues, including re-establishing her balance and retraining herself to read. Once out of rehab, Brandon found support from friends and family. Not everyone initially understood her situation, however, often carelessly adding to her discomfort. Brandon ably describes her episodes, and the reader feels transported into her mind when, for instance, she has a “shutdown,” her brain momentarily shutting down after an overflow of sensory input, “settling into...a protective cocoon.” These moments succeed in making readers understand Brandon’s plight, her frustrations, and, eventually, her triumphs. The memoir follows a chronological timeline, but there are also chapters that focus on small experiences, interruptions not unlike the stop-and-start nature of her recovery. In the end, Brandon doesn’t sugarcoat her account. Despite her eventual return to teaching, the reader ultimately knows there will be more to overcome.

At turns harrowing and inspiring; also serves as a valuable piece of education on recovery from brain injury.

Pub Date: Oct. 10, 2017

ISBN: 978-1-63152-246-8

Page Count: 220

Publisher: She Writes Press

Review Posted Online: Sept. 21, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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