A story of strong women pushed to extremes succeeds with convincing characters and a vivid portrait of the rural South a...
In South Carolina in the 1920s, three memorable women struggle with challenging family relationships amid the depths of the Depression in this impressive first novel.
Spera’s debut weaves together the stories of Annie Coles, matriarch of a white, plantation-owning family; Oretta Bootles, Annie’s black housekeeper; and Gertrude Pardee, a young white woman who has fled a brutally abusive husband and their isolated, ramshackle home. The trio comes together in the small town of Branchville; one thing they have in common is fraught relationships with their daughters. Annie has been estranged for 15 years from her two adult daughters, for reasons only slowly revealed. Retta still grieves for her only child, a beloved girl who died at age 8. Gertrude is trying simply to keep her four young girls alive, given their grinding poverty, and away from their father and, in the case of the older daughters, from lusty boys. The first-person narration alternates among the three main characters, and Spera deftly creates distinctive voices for each one. The novel is rich with details about the hard physical work and emotional resilience demanded of women in the rural South almost a hundred years ago. It also makes no bones about marriage in that time. As Retta says, “When a woman marries and takes her husband’s name she is forever bound by his action and not her own. It ain’t right, but that’s the way it is.” Retta has a warm and loving marriage despite the fact her husband was badly injured in a work accident. Gertrude and Annie are not so lucky; each of them must reckon with husbands capable of terrible things. The novel’s plot can sometimes veer toward melodrama and even overload, as when a raging diphtheria epidemic, the revelation of a criminal secret, and a hurricane all happen at once. But Spera’s sure-footed depictions of women’s friendships and mother-daughter relationships are the book’s strengths.
A story of strong women pushed to extremes succeeds with convincing characters and a vivid portrait of the rural South a century ago.Pub Date: June 11, 2019
ISBN: 978-0-7783-0774-7
Page Count: 352
Publisher: Park Row Books
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
Gloomy indeed. And yet this Arab-Israeli newcomer is never once self-indulgent or sentimental, with the result that his...
A quick, readable, highly engaging—and bluntly pessimistic—debut tale of an Arab-Israeli whose life is one of anger, fear, and broken spirit.
“I was the best student in the class,” announces Kashua’s narrator, “the best in the whole fourth grade.” So it’s possible—isn’t it?—that he’ll go far, escape his family’s drab, broken village, be a great success? He does take the very tough exam for admission to a competitive Israeli school, does pass, does get admitted, and does attend—but not successfully. There’s too much shame for him in a boarding school full of Israeli Jews, shame at simple things like not knowing how to use silverware, what music to listen to, not having the right kind of pants, not pronouncing Hebrew correctly, and shame at bigger things, like the scorn, derision, and threat both in school and on the busses that take back home at the end of the week. Kashua offers nothing new so far—mightn’t this be another tale of schoolboy alienation overcome, true merit being demonstrated, acceptance, comradeship, and success following thereby? No, the conflicts, wounds, and humiliations are too many and too deep. The boy’s grandfather died in the war against Zionism, and even his father was a hero in his own college days, imprisoned on suspicion of complicity in blowing up a school cafeteria. And so, for all his brains, the boy, torn between cultures and histories, begins to fail in school, suffer health problems, lose morale. He never does finish college, but ends up as bartender in a seedy club, despising the Arabs who come in to dance, despising even his own wife, the birth of a baby daughter notwithstanding. Life, at novel’s end, remains seedy, undirected, filled with sorrow, failure, and regret.
Gloomy indeed. And yet this Arab-Israeli newcomer is never once self-indulgent or sentimental, with the result that his story rings out on every page with a compelling sense of human truth.Pub Date: May 1, 2004
ISBN: 0-8021-4126-9
Page Count: 240
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
A knotty portrait of Ojibwe life with some winningly uncanny touches.
A young gay man reckons with love, tribal lore, and a decades-old murder in this rangy debut novel.
Marion, the main narrator of Staples’ first book, isn’t where he wants to be, and that’s back in his hometown on Minnesota’s Ojibwe reservation. A brief stint in the Twin Cities ended with busted relationships, but his best romantic prospect in the area is deeply closeted former high school classmate Shannon, who has the unglorious job of attending to animal carcasses on a resort island. Still, Staples, an Ojibwe writer, wants to suggest that the best way to move forward is by facing one's past head-on. The notion arrives first via symbolism: As children, Marion and his friends spooked each other by saying a dog died under the merry-go-round at the playground, and now that dog reappears (or seems to) in Marion’s presence. That incident sparks Marion’s investigation into his high school days, in particular the murder of Kayden, a basketball star who became a father shortly before he was killed. Plotwise, the story is a stock hero’s-journey tale, as Marion lets go of his skepticism of Ojibwe spiritualism, discovers the truth about Kayden’s death, and finds a community along with a degree of emotional fulfillment. But credit Staples for complicating the story in some interesting ways, from shifting perspectives from Marion to other townspeople (with a particular emphasis on Native women), a smirking humor that cuts the mordant atmosphere (“What do Indians call a lack of faith?” “Being white”), and a graceful handling of Ojibwe culture. In its later stages, the story seems to keep sprouting tentacles as new characters and revelations emerge, which saps some of its narrative drive, but it returns affectingly to the messy fates of Marion and Shannon.
A knotty portrait of Ojibwe life with some winningly uncanny touches.Pub Date: March 3, 2020
ISBN: 978-1-64009-284-6
Page Count: 224
Publisher: Counterpoint
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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