Often chaotic and murky, but the suspense builds to a satisfying end.
From Ojibwe writer Staples, a hybrid of Native American mysticism and gothic paranormal horror.
Since it was built decades ago on the Languille Lake reservation, the Hidden Atlantis Lake Resort has been haunted by a malevolent entity locals know, whisperingly, as the sandman, and by the ghosts, living and dead, whom he’s sapped of their energies and robbed of their lives. These displaced souls shuffle about in the clock-free, no-cameras-allowed limbo of the casino and its surroundings, unable to move on. Enter Marion Lafournier, a young Ojibwe from the Bullhead clan who, fleeing a romantic disappointment, stops in for a bit of pain-numbing gambling. The susceptible Marion escapes only because his cousin Alana Bullhead, an employee who has the “sevenfire sight” and is thus attuned to the sandman and his predations, intervenes at the last second. Afterward Alana urges Marion, who’s shown incipient signs of being able to navigate the spirit world of their ancestors, to help her battle this false spirit. Meanwhile, Glenn Nielan, an aspiring documentary filmmaker, arrives at the resort to record this beautiful place’s essence, and also to do a bit of low-stakes gambling and relish the freedom that comes from being newly out of the closet—only to yield quickly to the state of lotus-eating uncaring that the sandman uses to entrap his victims. The sandman proves a much more formidable and resourceful adversary than Alana and Marion suspected and, ultimately, unable to trust what they see and hear, they have to take desperate, self-imperiling measures. The result is a shape-shifting, time-shifting, metaphor-shifting fever dream of a conclusion.
Often chaotic and murky, but the suspense builds to a satisfying end.Pub Date: March 18, 2025
ISBN: 9781640096875
Page Count: 272
Publisher: Counterpoint
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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