Writing for modern readers about the Holocaust is fraught, and when children are the intended audience, the difficulties can be insurmountable. Levy meets the challenges admirably, partly because she had access to unique primary sources: Her mother’s autograph book, a poesiealbum, written by friends and family in Hamburg in 1938 and a diary from that same year, when she was 12, form a poignant and chilling basis for the true story of her family’s experiences. Each chapter is a translation of an album or diary entry followed by a poem that evokes sadness, despair, anger and longing to escape. The author’s introduction and afterword are integral to the work, as they explain some of the history and tell the fates of friends and family members—those who escaped and survived, those who “died at the hands of the Nazis” and those whose exact fate she was unable to discern. While writing as truthfully as the subject demands, she also spares young readers the gruesome details of those deaths. An immensely powerful experience that needs to be read with an adult. (Poetry/nonfiction. 10 & up)
Pub Date: March 16, 2010
ISBN: 978-1-4231-2901-1
Page Count: 144
Publisher: Disney-Hyperion
Review Posted Online: Sept. 23, 2010
Kirkus Reviews Issue: Feb. 15, 2010
From its enticing, dramatic cover to its brown endpapers to a comical Grant Wood–esque final image, this is a worthy...
A graphic-novel account of the science and history that first created and then, theoretically, destroyed the terrifying Dust Bowl storms that raged in the United States during the “dirty thirties.”
“A speck of dust is a tiny thing. Five of them could fit on the period at the end of this sentence.” This white-lettered opening is set against a roiling mass of dark clouds that spills from verso to recto as a cartoon farmer and scores of wildlife flee for their lives. The dialogue balloon for the farmer—“Oh my God! Here it comes!”—is the first of many quotations (most of them more informative) from transcripts of eyewitnesses. These factual accounts are interspersed with eloquently simple explanations of the geology of the Great Plains, the mistake of replacing bison with cattle and other lead-ups to the devastations of the Dust Bowl and the Great Depression. The comic-book–style characters create relief from the relentlessly grim stories of hardship and loss, set in frames appropriately backgrounded in grays and browns. Although readers learn of how the U.S. government finally intervened to help out, the text does not spare them from accounts of crippling droughts even in the current decade.
From its enticing, dramatic cover to its brown endpapers to a comical Grant Wood–esque final image, this is a worthy contribution to the nonfiction shelves. (bibliography, source notes, photographs) (Graphic nonfiction. 10 & up)Pub Date: Oct. 8, 2013
ISBN: 978-0-547-81550-3
Page Count: 80
Publisher: Houghton Mifflin
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
A beautiful meditation on the tender, fraught interior lives of Black boys.
The acclaimed author of Between the World and Me (2015) reflects on the family and community that shaped him in this adaptation of his 2008 adult memoir of the same name.
Growing up in Baltimore in the ’80s, Coates was a dreamer, all “cupcakes and comic books at the core.” He was also heavily influenced by “the New York noise” of mid-to-late-1980s hip-hop. Not surprisingly then, his prose takes on an infectious hip-hop poetic–meets–medieval folklore aesthetic, as in this description of his neighborhood’s crew: “Walbrook Junction ran everything, until they met North and Pulaski, who, craven and honorless, would punk you right in front of your girl.” But it is Coates’ father—a former Black Panther and Afrocentric publisher—who looms largest in his journey to manhood. In a community where their peers were fatherless, Coates and his six siblings viewed their father as flawed but with the “aura of a prophet.” He understood how Black boys could get caught in the “crosshairs of the world” and was determined to save his. Coates revisits his relationships with his father, his swaggering older brother, and his peers. The result will draw in young adult readers while retaining all of the heart of the original.
A beautiful meditation on the tender, fraught interior lives of Black boys. (maps, family tree) (Memoir. 14-18)Pub Date: Jan. 12, 2021
ISBN: 978-1-984894-03-8
Page Count: 176
Publisher: Delacorte
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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