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WHERE ARE MY BOOKS?

The brilliant combination of art and text will capture the imaginations of both bibliophiles and less-than-enthusiastic...

When young Spencer’s beloved books begin to disappear, the boy devises a plan to catch the culprit (although not before suspecting his toddler sister).

Muted shades of purple, blue and pale green are the background colors for the appealing opening, in which Spencer—in narwhal-themed red pajamas—is cuddled up with his mother, stuffed narwhal toy tucked under his arm; his and his mother’s wide, comic-strip eyes focus on an open book. “Spencer loved books. His favorite bedtime book was Night-Night, Narwhal. Sometimes he read it aloud.” No doubt it’s the kind of read-aloud done by 4-year-olds who’ve heard their favorite story many times. When Night-Night Narwhal disappears, Spencer’s father reads him Tenacious Todd, but it doesn’t quite work for bedtime: “But Todd was a toad, and toads were amphibians, and amphibian books were supposed to be for right-after-lunch story time.” The humor and charm continue as more of Spencer’s books, which he keeps so carefully on his shelf, begin disappearing—even Send in the Clown Fish! Astute readers will notice tulip petals and screws replacing the confiscated codices. Although the thief’s identity may be suspected, no one will expect the funny, sweet and original ending. Fans of Mo Willems will especially appreciate the family dynamics and expressive artwork.

The brilliant combination of art and text will capture the imaginations of both bibliophiles and less-than-enthusiastic readers. (Picture book. 3-7)

Pub Date: May 12, 2015

ISBN: 978-1-4424-6741-5

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: Jan. 19, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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