by Debbie Taylor ‧ RELEASE DATE: Nov. 1, 2003
Sometimes it’s not all in the details.
Vivid details, graphic sex, and violence in yet another novel about a woman who takes on the world—in this case, an 18th-century Emperor of Morocco.
British newcomer Taylor has done her research, and the story, which has some historical basis, is loaded with appropriate lingo—lots of Scottish expressions and period minutiae. Heroine Helen Gloag, however, is bonnie but not appealing. The narrative alternates between Helen and a Scottish dwarf, Microphilus, an adviser to the Emperor who believes him to be a eunuch like all the other men who have dealings with his harem. When Helen, unmarried but pregnant, flees Scotland and heads for the Colonies, she naturally hopes to make a better life for herself. But pirates attack the ship and Helen finds herself in the harem of the Emperor of Morocco. There are currently three Queens, and the harem women are competing to become the fourth. Except for Thursdays, when the Emperor selects his women for the week, the days pass in grooming, gossiping, and eating—the Emperor likes fat women, and Helen is force-fed like a goose. Her first encounter with the Emperor is a failure, but, helped by Queen Batoom, Microphilus’ lover and confidante, Helen, more a notion than a credible character, becomes an accomplished—and buxom—mistress of the sexual arts. Smitten, the Emperor makes her his fourth Queen and rewards her with sumptuous presents. As Microphilus records Helen’s progress and his own love for her, a young woman escapes, then is captured and brutally tortured, and Helen becomes violently ill. Witchcraft is suspected, but the anxious Microphilus has other suspicions. While he searches for the culprit, he tends to Helen, who has been abandoned by the Emperor since her illness. More deaths follow, and Helen, finally deciding that life as a Queen isn’t all that appealing, makes other plans.
Sometimes it’s not all in the details.Pub Date: Nov. 1, 2003
ISBN: 1-4000-4925-3
Page Count: 352
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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