by Deborah Blumenthal ; illustrated by Laura Freeman ‧ RELEASE DATE: Jan. 17, 2017
Kudos to a title that recognizes a previously uncelebrated African-American woman of achievement.
Society ladies and screen actresses made Ann Cole Lowe’s gowns famous, but no one credited their African-American designer.
The great-granddaughter of a slave, Ann grew up in Alabama sewing with her mother. When she was just 16, her mother died, but Ann kept on with the work, finishing a gown for the wife of the governor. She was able to attend design school in New York City in 1917, albeit sitting alone in a segregated classroom. As the proprietor of her own business, Ann was in much demand with very wealthy and high-profile women. Olivia de Havilland accepted her 1947 Oscar wearing an Ann Cole Lowe gown. In 1953, a rich socialite named Jaqueline Bouvier married a Massachusetts senator named John F. Kennedy wearing one of Lowe’s couture creations. Lowe worked hard and eventually began to receive long-overdue recognition. Freeman’s crisply colorful artwork enlivens the clear and accessible narration. The endpapers featuring pictures of Lowe’s runway-perfect gowns and fabric swatches in the page design will delight young fashionistas, while the vignette of Ann in a classroom sitting by herself against a solid white background speaks volumes.
Kudos to a title that recognizes a previously uncelebrated African-American woman of achievement. (author’s note) (Picture book/biography. 5-8)Pub Date: Jan. 17, 2017
ISBN: 978-1-4998-0239-9
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Sonia Rosa ; illustrated by Luciana Justiniani Hees ; translated by Jane Springer ‧ RELEASE DATE: Oct. 13, 2015
Garcia is apparently lost to history aside from her petition, but its very existence marks her as “truly an unforgettable...
By way of tribute, two admirers spin a tale around a truly rare document: a petition sent by an 18th-century enslaved woman to a Brazilian governor.
The letter, a brief one reporting a new master’s ill treatment and begging for permission to rejoin her husband and have her children baptized, was discovered only in 1979 and is presented here in a modernized translation. Around it Rosa embroiders a rudimentary storyline that feels oddly disconnected. She begins with Garcia herself explaining that her previous, Jesuit owners had taught her to read and write before she was separated from her husband, then switches to the third person at an arbitrary point, then just as abruptly shifts from narrative to exposition at the end. Also, there being no record of a reply to the letter, Rosa opts just to leave Garcia waiting for one, closing with the hyperbolic claim that her “voice was a forceful cry for liberation.” Hees’ richly hued illustrations show Afro-Brazilian influences in stylized background settings made of patterned bands and very dark-skinned figures with strong, composed features. A historical note includes a map of the colonial locale but no reproduction of the actual letter.
Garcia is apparently lost to history aside from her petition, but its very existence marks her as “truly an unforgettable woman!” (Picture book. 6-8)Pub Date: Oct. 13, 2015
ISBN: 978-1-55498-729-0
Page Count: 40
Publisher: Groundwood
Review Posted Online: Aug. 25, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by John Chryssavgis & Marilyn Rouvelas ; illustrated by Isabelle Brent ‧ RELEASE DATE: Dec. 7, 2015
While not destined to have wide appeal, the book tells the story of a saint deeply important in both the Roman Catholic and...
A brief introduction to the early Christian mystic and saint.
Anthony lived in the third and fourth centuries C.E., in Egypt. Both his extremely ascetic life and his role as the father of monasticism are described in ways that make them accessible to young children. When Anthony’s parents die, leaving him with the care of his younger sister, he sells everything he owns, provides for his sister’s care, and “sets out with nothing to find something.” He is assailed by “wrong thoughts” and temptations, described as coming from the devil. But he turns to God and continues to repel the devil. He settles in an old fort, alone, where his friends bring him food, and people move near the fort to hear Anthony speak. His message is that wrong thoughts come to everyone, but they can be overcome by “right thoughts” (“like being patient and caring for his friends”) that bring one nearer to God. Later, he moves even further into the desert, living to 105. Throughout, he lives consciously, rejecting wrong thoughts and cultivating right ones. The pictures use many Egyptian, Persian, and Middle Eastern patterns and motifs, and Anthony’s age is tracked by the length of his beard.
While not destined to have wide appeal, the book tells the story of a saint deeply important in both the Roman Catholic and Greek Orthodox traditions, filling a critical niche. (appendix, timeline, further reading, map, glossary) (Picture book/biography. 5-8)Pub Date: Dec. 7, 2015
ISBN: 978-1-937786-46-5
Page Count: 28
Publisher: Wisdom Tales
Review Posted Online: Sept. 20, 2015
Kirkus Reviews Issue: Oct. 1, 2015
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