Kudos to a title that recognizes a previously uncelebrated African-American woman of achievement.
Society ladies and screen actresses made Ann Cole Lowe’s gowns famous, but no one credited their African-American designer.
The great-granddaughter of a slave, Ann grew up in Alabama sewing with her mother. When she was just 16, her mother died, but Ann kept on with the work, finishing a gown for the wife of the governor. She was able to attend design school in New York City in 1917, albeit sitting alone in a segregated classroom. As the proprietor of her own business, Ann was in much demand with very wealthy and high-profile women. Olivia de Havilland accepted her 1947 Oscar wearing an Ann Cole Lowe gown. In 1953, a rich socialite named Jaqueline Bouvier married a Massachusetts senator named John F. Kennedy wearing one of Lowe’s couture creations. Lowe worked hard and eventually began to receive long-overdue recognition. Freeman’s crisply colorful artwork enlivens the clear and accessible narration. The endpapers featuring pictures of Lowe’s runway-perfect gowns and fabric swatches in the page design will delight young fashionistas, while the vignette of Ann in a classroom sitting by herself against a solid white background speaks volumes.
Kudos to a title that recognizes a previously uncelebrated African-American woman of achievement. (author’s note) (Picture book/biography. 5-8)Pub Date: Jan. 17, 2017
ISBN: 978-1-4998-0239-9
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A noteworthy life to share but one more stirring in recordings than on these pages.
The legendary 20th-century gospel singer takes center stage in a too-short song of praise.
From her childhood in New Orleans to a move to Chicago as a teen, Nolan’s text tells readers that Mahalia Jackson loved one thing above all others—singing in church. She toured the South, performing in churches rather than nightclubs despite the lure of better pay, and without fail, her “joyful voice lifted people with hope.” A recording contract and radio broadcasts brought a larger audience, and eventually she appeared at Carnegie Hall and sang for world leaders. On the day of the 1963 March on Washington, she sang prior to Dr. King’s speech, although there is no mention of her momentous advice to him. Nolan’s brief text, with unsourced quotations, is more focused on Jackson’s musical drive than on the specifics of her career. The only mention of racism comes in the chronology, a misstep in a book about an African-American performer born in 1911; sadly, there is no note about gospel music. Holyfield’s full-bleed acrylic paintings are richly textured and feature a portrait of Jackson on every double-page spread, her voice raised to the heavens.
A noteworthy life to share but one more stirring in recordings than on these pages. (resources) (Picture book/biography. 5-8)Pub Date: Jan. 27, 2015
ISBN: 978-0-06-087944-0
Page Count: 32
Publisher: Amistad/HarperCollins
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Nov. 1, 2014
A child-friendly introduction to an iconic, wonderfully accessible and quintessentially Canadian artist.
“Painting is the last great freedom. You can paint what you like.”
Born in northern England in 1926, Harrison began his career as a classically trained painter who eagerly embraced the freedom of post–World War II military service in India, Africa, Malaysia and New Zealand. Propelled by his youthful love of Jack London, he accepted a teaching position in northern Alberta, moving his family there in the late 1960s. In the clear, Canadian light, he soon adopted a vivid palette to portray a new, northern vision of vast skies, low horizons, luminous aurora borealis, vivid sunrises and sunsets. His work featured First Nations totemic imagery and large bands of color. His forms became organic, and strikingly simple figures and buildings were now strongly outlined in black. After a slow start, his work became increasingly popular, and he began illustrating children’s books in the 1980s, including two by another childhood favorite, Robert Service (The Cremation of Sam McGee, 1986, and The Shooting of Dan McGrew, 1988). Abundantly illustrated, the generally lively text is accessible and well-paced, and (thankfully) the didactic asides and discussion prompts are relegated to the paintings’ captions. Backmatter includes a helpful index and related books, websites and films.
A child-friendly introduction to an iconic, wonderfully accessible and quintessentially Canadian artist. (Picture book/biography. 5-8)Pub Date: March 1, 2015
ISBN: 978-1-927485-63-7
Page Count: 40
Publisher: Pajama Press
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
