by Deborah da Costa & illustrated by Gosia Mosz ‧ RELEASE DATE: Sept. 1, 2007
This Hanukkah, Isobel stays with her Mexican Aunt Luisa and discovers a new way to celebrate the festival of the lights. In addition to lighting the hanukkiah (menorah) and eating the traditional latkes and jelly doughnuts, she learns some of the Sephardic or Spanish Jewish customs for the holiday. Aunt Luisa teaches Isobel to say “Feliz Januca” and to sing the dreidel song in Spanish. When Aunt Luisa’s three girlfriends arrive, it is the promise of celebrating the Hanukkah moon with the breaking of a dreidel-shaped piñata that intrigues Isobel. Together they combine the welcoming of Rosh Hodesh, the first day of the new month, with the appearance of “la luna nueve” (the new moon). Rosh Hodesh is traditionally celebrated by girls and women each month, and the new moon that appears during the Hanukkah week is especially commemorated by Jews in Latin America. Mosz’s whimsical Chagall-style paintings of elongated figures with large expressive almond-shaped eyes in combinations of purple and gold hues add a Latino flavor to this gentle and warmhearted story offering a new perspective on an age-old Jewish holiday. (author’s note, glossary) (Picture book. 5-8)
Pub Date: Sept. 1, 2007
ISBN: 978-1-58013-244-2
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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by Deborah da Costa & illustrated by Cornelius Van Wright & Ying-Hwa Hu
by Steve Henry ; illustrated by Steve Henry ‧ RELEASE DATE: Feb. 15, 2016
Big fun for new readers who are ready to turn their Where’s Waldo skills to finding text.
It’s a bird, it’s a plane, it’s Big Bunny!
Controlled, repetitive text invites children to read short sentences directing them to find “a foot…a hand…a tail,” and so on. These named body parts belong to a figure that isn’t wholly visible until the book’s end, provoking readers to search them out in the detailed images. Their stark whiteness makes them stand out on the pages, which depict a busy, vibrant setting reminiscent of those in Richard Scarry books and are likewise populated by anthropomorphic animals going about their days. Shifting perspective and scale make it clear that the creature is not just another one of these animals, and many readers will use the title and cover image to infer that they belong to the eponymous Big Bunny. The reveal at the conclusion is that Big Bunny is not a giant but a large helium balloon of the sort seen in the Macy’s Thanksgiving Day Parade. While this clever conceit is carried out with accessible text, there is a little quibble: the saturation and intentional busyness of the illustrations leaves little rest for new readers’ eyes. The sentences and vocabulary are simple, but finding them on the page is the challenge here.
Big fun for new readers who are ready to turn their Where’s Waldo skills to finding text. (Early reader. 5-7)Pub Date: Feb. 15, 2016
ISBN: 978-0-8234-3458-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: Nov. 24, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Steve Henry ; illustrated by Steve Henry
BOOK REVIEW
by Steve Henry ; illustrated by Steve Henry
BOOK REVIEW
by Steve Henry ; illustrated by Steve Henry
by Eve Bunting & illustrated by Ronald Himler ‧ RELEASE DATE: Sept. 19, 1994
Award-winning author Bunting's (Night of the Gargoyles, p. 1122, etc.; The In-Between Days) persuasive moral tale about a young Mexican boy in contemporary California who lies in order to help his family. Francisco accompanies his grandfather to get work as a day laborer because grandfather, or "Abuelo," doesn't speak English. When a man comes along asking for a gardener, Francisco eagerly tells him that Abuelo is an excellent gardener. But as it turns out, neither Abuelo nor Francisco knows much about plants, and instead of pulling out the weeds, they pull out all the healthy new plants instead. The man who hired them is angry, and Abuelo is confused, until he learns the extent of his grandson's involvement in the mistake. Francisco is ashamed of what he has done and admires Abuelo's dignity under the circumstances: Abuelo insists on doing the job right and will not accept the man's offer of payment until it has been done. Himler's gentle watercolor illustrations capture the hot, dry landscape and the cowed, yet hopeful, postures of immigrants seeking to make their way in a new land. A fine, moving story that manages to convey an important moral message without sounding preachy or didactic. (Fiction/Picture book. 5-8)
Pub Date: Sept. 19, 1994
ISBN: 0-395-67321-6
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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by Eve Bunting ; illustrated by Jui Ishida
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by Eve Bunting ; illustrated by Kevin Zimmer
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by Eve Bunting ; illustrated by Will Hillenbrand
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