This is definitely a “message” book, but any message in such effective hands will reach its intended audience where they are
This gentle tale about overcoming fear will comfort and encourage many a reluctant kid (or duck), which represents a fairly wide young audience: what child isn’t reluctant about something, at some point?
Told in rhyming first-person narrative, this duckling’s story starts when, as an egg, the duck-to-be rolls out of the nest and into the water, where the mother duck must come to the rescue. Now hatched, the young duck is hesitant to swim, and “a landlocked duck is very sad.” Encouraged by three brothers (the duck in question’s gender is not specified), friend Big Frog, and Owl, “who’s very wise,” the fearful young waterfowl first practices in a puddle and eventually prevails in deeper water, although with an individual take: swimming backward. Notably, the mother duck does not verbally encourage, try to teach, or chide her baby; she remains a steadfast comfort during puddle practice and lets the duckling struggle and achieve. Hillenbrand’s softly colored, mixed-media illustrations portray the pond setting in a wash of natural colors: pale yellow, soft green, and watery blue, enhancing the comforting message. The duckling itself is reminiscent of Olivier Dunrea’s Gossie and Gertie, with an innocent expression and oversized bill and an overall endearing look.
This is definitely a “message” book, but any message in such effective hands will reach its intended audience where they are . (Picture book. 3-6)Pub Date: March 13, 2018
ISBN: 978-0-7636-8032-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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