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MUST HAVE FAITH

THE RUNAWAY BRIDE IS BACK

A charming, engaging second-chance romance.

Awards & Accolades

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Sparks fly when a television news producer reconnects with her former fiance.

Faith Copeland is at the peak of her career. As a photojournalist, she spent three years in the Middle East. Eventually she entered the world of broadcast journalism at CNN in New York City. While she waits for the London bureau chief position to open up, she commutes daily from her parents’ home in the North Fork hamlet of Darling Cove to New York City. After arriving in Darling Cove one night, Faith runs into Gwen, an old friend, and her husband, Andrew Morgan. Ten years earlier, Faith was engaged to Gwen’s brother, Greg Mallory. The romance seemed ideal. But she left him at the altar without a word of explanation. Through her rekindled friendship with Gwen, Faith also reconnects with Greg. Despite the heartbreak of a broken engagement, he never stopped loving her. She still loves him but is afraid of causing further pain if he ever learned why she left. As they take the first steps toward a relationship, they discover their feelings are just as passionate, but the past and a possible job transfer in the future may end their connection. The second novel in Garland’s (Must Love Fashion, 2017, etc.) Darling Cove series is an appealing contemporary romance that introduces well-developed new characters while following characters and storylines introduced in the first novel. Faith and Greg are winsome protagonists whose connection never truly fizzled. The author highlights the lasting power of their connection through memories, flashbacks, and distinct details. Originally introduced in Must Love Fashion, Greg moves from a strong supporting character to a charming and dynamic protagonist. The fast-paced narrative capably juggles several subplots, including a minor character’s battle with dementia.

A charming, engaging second-chance romance.

Pub Date: May 29, 2018

ISBN: 978-1-71954-210-4

Page Count: 286

Publisher: CreateSpace

Review Posted Online: July 20, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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