Both charming and disturbing, Halber’s accessible, personalized style is engaging despite being somewhat at odds with the...
Account of the eccentric online communities that have transformed the forensic identification of deceased missing persons.
“Chances are good that you or someone you know has at one point stumbled over a dead body,” writes Boston-based science writer Halber in this passionately rendered debut. “America is home to tens of thousands of unidentified human remains.” Using a number of infamous unsolved crimes as a framework—including such regional legends as Kentucky’s “Tent Girl” and Provincetown’s “Lady of the Dunes”—the author argues that, despite our cultural fondness for crime stories and pursuit of perpetrators, it remains shockingly easy for a dead body to remain unidentified and thus disappeared, whether through natural or malicious intervention. Until recently, law enforcement was often ineffective in managing UIDs, given that such cases often crossed state lines as well as the technical complexities of handling decomposed remains. This began to change in 2004, when Justice Department studies found alarming numbers of unidentified remains in many jurisdictions; at the same time, many amateurs had begun to connect, share information and provide tips on cold cases via the Internet. Halber recounts her interviews with several of these cold-case enthusiasts, a diverse group ranging from a Massachusetts police dispatcher to a self-described “Southern version of Kojak” whose identification of Tent Girl after 40 years led to a full-time career. Since then, amateur interest in such unsolved cases has expanded: Halber notes that crowd-sourced discussion boards like Cold Cases and the Doe Network evolved spontaneously, taking advantage of information secreted in the Web’s dark corners, yet often wound up becoming competitive and catty. Although law enforcement used to resist such outsider involvement, many officials now recognize the benefits of the homegrown sleuths’ efforts.
Both charming and disturbing, Halber’s accessible, personalized style is engaging despite being somewhat at odds with the grisly aspects of her topic.Pub Date: July 1, 2014
ISBN: 978-1-4516-5758-6
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
Asante is a talented writer, but his memoir is undernourished.
A young black man’s self-destructive arc, cut short by a passion for writing.
Asante’s (It’s Bigger than Hip-Hop, 2008, etc.) memoir, based on his teenage years in inner-city Philadelphia, undoubtedly reflects the experiences of many African-American youngsters today in such cities. By age 14, the author was an inquisitive, insecure teen facing the hazards that led his beleaguered mother, a teacher, to warn him, “[t]hey are out there looking for young black boys to put in the system.” This was first driven home to Asante when his brother received a long prison sentence for statutory rape; later, his father, a proud, unyielding scholar of Afrocentrism, abruptly left under financial strain, and his mother was hospitalized after increasing emotional instability. Despite their strong influences, Asante seemed headed for jail or death on the streets. This is not unexplored territory, but the book’s strength lies in Asante’s vibrant, specific observations and, at times, the percussive prose that captures them. The author’s fluid, filmic images of black urban life feel unique and disturbing: “Fiends, as thin as crack pipes, dance—the dancing dead….Everybody’s eyes curry yellow or smog gray, dead as sunken ships.” Unfortunately, this is balanced by a familiar stance of adolescent hip-hop braggadocio (with some of that genre’s misogyny) and by narrative melodrama of gangs and drug dealing that is neatly resolved in the final chapters, when an alternative school experience finally broke through Asante’s ennui and the murderous dealers to whom he owed thousands were conveniently arrested. The author constantly breaks up the storytelling with unnecessary spacing, lyrics from (mostly) 1990s rap, excerpts from his mother’s journal, letters from his imprisoned brother, and quotations from the scholars he encountered on his intellectual walkabout in his late adolescence. Still, young readers may benefit from Asante’s message: that an embrace of books and culture can help one slough off the genuinely dangerous pathologies of urban life.
Asante is a talented writer, but his memoir is undernourished.Pub Date: Aug. 20, 2013
ISBN: 978-0-8129-9341-7
Page Count: 272
Publisher: Spiegel & Grau
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
A tour-de-force of true crime reportage.
Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.
The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.
A tour-de-force of true crime reportage.Pub Date: Oct. 1, 2005
ISBN: 0-7432-1091-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
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