One part fiction, one part history lesson, this likable story is an amusing introduction to one slice of early American life.
The true history of Amelia Simmons, the author of America’s first cookbook, has been lost. Enter this whimsical, fictionalized account of what could’ve been, delectable cakes included!
After Amelia’s parents die in the first two sentences, the mob-capped white girl is taken in by Mrs. Bean to help with chores and watch her six rambunctious sons, all also white. Amelia cleans clothes, scrubs pots, picks apples, and that’s only half of it! What she doesn’t already know how to do, she learns. Mrs. Bean is ever so grateful. “You’ve brightened our lives like a star on the flag.” In addition to her chores, Amelia wants “to learn good, plain American cookery and [to] share recipes with my fellow citizens.” Soon, Amelia is inventing delicious new recipes using American ingredients and becomes the talk of the town, eventually baking the titular (enormous!) cake in honor of the newly elected president, George Washington. The tale presents a distinctly rosy vision of life as an orphaned “bound girl” in late-18th-century America. Too good to be true? Perhaps. But Hopkinson’s lively text—rife with allegorical Americana—and Potter’s charming watercolor-and-ink illustrations team up to tell an entertaining story. Readers will delight in spotting every single rosy-cheeked Bean boy on the page, all up to no good!
One part fiction, one part history lesson, this likable story is an amusing introduction to one slice of early American life. (author’s note, recipe) (Picture book. 4-8)Pub Date: May 9, 2017
ISBN: 978-0-385-39017-0
Page Count: 44
Publisher: Schwartz & Wade/Random
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
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