by Deborah Johnson ‧ RELEASE DATE: Jan. 21, 2014
Mississippi-based author Johnson’s second novel (The Air Between Us, 2008).
The book is about a young black lawyer facing the complexities of race relations in the 1946 South. It offers a somewhat romantic but emotionally affecting take on the period after World War II, when returning African-American soldiers were no longer willing to be treated as inferior citizens and the NAACP was laying groundwork for the civil rights movement of the 1950s and 1960s. Regina Robichard is a Columbia Law School grad working for the NAACP’s Legal Defense Fund in New York City when her mentor, Thurgood Marshall—whose saintly portrayal would be wearying if he were more actively involved in the story—receives a request to investigate the death of decorated serviceman Joe Howard Wilson, killed on his way home to Revere, Miss. The request has come from Mary P. Calhoun, a white woman in Revere who employs Wilson’s father, Willie Willie. Regina, whose own father was lynched in Omaha, Neb., before she was born, gets Marshall to send her to Revere. The case interests her in part because she recognizes that M.P. Calhoun authored her favorite childhood novel, about three children, two white and one black, sharing adventures in a magical forest under the tutelage of a wise black man. The novel, which includes an unsolved murder, was banned in Mississippi, but Mary, who may remind readers of Harper Lee, lives on in Revere as a member of the landed old-money gentry. Staying in a cottage Mary built for Willie Willie in her backyard, Regina soon realizes that the white citizens, including Mary herself, seem to be protecting the obvious murderer. But motives and black-white interdependency prove more complex than Regina expected. Most confusing for Regina is her own reaction to Mary Calhoun, her idol and nemesis—and possibly her friend. Passionate but never didactic, Johnson wisely allows the novel’s politics to play second fiddle to the intimate, nuanced drama of the young black Yankee and middle-aged white Southerner in this provocative story about race in America that becomes a deeply felt metaphor for all human relationships.
Pub Date: Jan. 21, 2014
ISBN: 978-0-399-15772-1
Page Count: 400
Publisher: Amy Einhorn/Putnam
Review Posted Online: Nov. 16, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
BOOK REVIEW
by Roy Jacobsen translated by Don Bartlett & Don Shaw
BOOK REVIEW
by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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