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A WOMAN’S JOURNEY THROUGH POLITICS, LOVE, AND OBEDIENCE

Conspiracy theorists will find her notes on the fate of Arafat and his inner circle to be of interest, but otherwise this is...

A Lebanese-American woman falls in love with a Palestinian activist, and starry-eyed romance gives way to disappointment, culture clash and a custody battle.

Like Betty Mahmoody, whose Not Without My Daughter (1991) anticipates much of this story, Kanafani labored valiantly to follow the cultural norms of her newfound home—at least for a while. She had been smitten by Marwan Kanafani, the soccer star turned PLO advisor: “Marwan was the axis around whom everyone else revolved,” she writes of their first meeting, “and he commanded the attention of our entire group, expounding on everything from politics to religion.” He continues to expound as their marriage comes undone a scant 30 pages later. Fortunately for him, her husband had other audiences: “As our relationship grew more distant, Marwan’s relationship with Arafat grew stronger.” When the author asked for custody of the children, her husband’s negative response was the final word, softened only years later, after the Intifada of 2000 made life on the West Bank dangerous (and even then, the children left only after Marwan’s new wife put them on a plane). All this drama is actually fairly undramatic. The worthier section is the author’s account of the Palestinians and Arab women she met along the way, many of whom work toward some vision of equality and, in many cases, are activists for peace as well as for women’s issues. She notes that Arafat’s brother Fathi was an activist at well, arranging midnight salons at which Israelis and Palestinians met, ate and talked through the night. “Everyone was eager to accept,” she writes, “scientists, doctors, teachers, artists, filmmakers, musicians. . . . As they shared ideas, people who had been perceived as enemies became human beings.”

Conspiracy theorists will find her notes on the fate of Arafat and his inner circle to be of interest, but otherwise this is pretty thin gruel.

Pub Date: Jan. 8, 2008

ISBN: 978-0-7432-9183-5

Page Count: 272

Publisher: Free Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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