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THE COST OF LIVING

A LIVING AUTOBIOGRAPHY

An elegant, candid meditation on the fraught journey to self-knowledge.

After divorce and her mother’s death, a writer struggles to redefine herself.

In a memoir notable for its graceful prose, two-time Booker Prize finalist, playwright, and poet Levy (Hot Milk, 2016, etc.) reflects on the new reality of her life after two nearly simultaneous events: the end of her marriage and the loss of her mother. Moving with her daughters into a “large shabby apartment,” she was determined to create “an entirely new composition” for all of their lives. “There are only loving and unloving homes,” she writes. “It is the patriarchal story that has been broken.” The author has much to say about ways that the patriarchal story erases women’s identity. For example, she met several men who refer to women only as men’s girlfriends or wives. At a party, one man never asked her one question about herself, all the while talking about his own books and his ailing wife. “It seemed,” Levy writes, “that what he needed was a devoted, enchanting woman at his side…who understood that he was entirely the subject.” That experience was hardly unusual: “It is so mysterious to want to suppress women,” she muses. “It is so hard to claim our desires and so much more relaxing to mock them,” she adds. Levy wonders about how desire shaped her mother’s life and how much her own desires shaped her perception of her mother: “If our mother does the things she needs to do in the world, we feel she has abandoned us.” Mothers receive “mixed messages, written in society’s most poisoned ink.” That poisoned ink infects any woman who dares to break from societal prescriptions. Rebellious women are expected “to be viciously self-hating, crazed with suffering, tearful with remorse.” But the author’s unexpected freedom from her role as wife liberated something “that had been trapped and stifled,” generating renewed energy. Still, she admits, “freedom is never free. Anyone who has struggled to be free knows how much it costs.”

An elegant, candid meditation on the fraught journey to self-knowledge.

Pub Date: July 10, 2018

ISBN: 978-1-63557-191-2

Page Count: 164

Publisher: Bloomsbury

Review Posted Online: April 10, 2018

Kirkus Reviews Issue: May 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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