by Deborah Pugh & Jeanie Tietjen ‧ RELEASE DATE: Jan. 15, 1997
An anthology of homeless women's writings that offers a glimpse of inner lives rarely seen. This collection grew out of the editors' experiences as participants in WritersCorps, a division of AmeriCorps, President Clinton's community service program. WritersCorps offers writers a small stipend and the opportunity to teach at-risk youth, substance abusers, and others whose stories are seldom heard. Pugh and Tietjen, clearly very gifted teachers, ran writing workshops for homeless and incarcerated women in Washington, D.C.; some of the memoirs produced in those workshops are offered here. Despite the hardships she has faced, Georgia's clearest memories, drawn from her rural southern past, are almost idyllic—she remembers, for instance, making pancakes that met with her tough grandfather's approval. Gayle writes about her crack addiction. Ann, who has been diagnosed as manic-depressive, writes of how it felt to be discharged from the US military. Hers is perhaps the most engaging piece, because she writes frankly about her often unnerving behavior. Dionne is the poet whose lyrics provide the anthology's powerful title. She is in prison, HIV-positive, and recovering from drug addiction and sexual abuse. Angie has struggled with both mental illness and physical disability while raising three sons. The women's narratives all provide the solid beginnings of stories, but most leave numerous questions unanswered. The editors realize this, and have tried to fill in the holes with their own lengthy, somewhat intrusive interpretive essays, which add biographical information about the writers; we end up hearing too much of Pugh and Tietjen's voices and not enough of the homeless women's. But despite some awkwardness in presentation, these stories deserve the attention of anyone interested in the power of autobiography to redeem a life.
Pub Date: Jan. 15, 1997
ISBN: 0-9647124-2-3
Page Count: 220
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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