by Deborah Scroggins ‧ RELEASE DATE: Jan. 17, 2012
In-depth portrait of two prominent women in the Islamic world.
Two women, one from Somalia, one from Pakistan—both intelligent, ambitious and Islamic: So how did one woman become a strong opponent of Islam and its practices toward women and one woman become a supporting member of the mujahideen? This is the fundamental question Scroggins (Emma’s War: A True Story, 2002) attempts to answer in her comprehensive chronicle of the private and public lives of Ayaan Hirsi Ali and Aafia Siddiqui. The Somali-born Ali found refuge in Holland, where she rose to a leadership role in Dutch Parliament while waging war against the Islamic practices that hold women behind “the veil and the home’s four walls.” On the other hand, Siddiqui feverishly defends Islam and willingly works with members of al-Qaeda and the Taliban to promote the Koran in the hopes that “more and more people come to the [religion] of Allah until America becomes a Muslim land.” Secret marriages, lies, death threats and disappearances add “layers to the tale of the war on terror,” while disturbing descriptions of female genital mutilation, beheadings and torture add to the behind-the-scenes immediacy and significance of Scroggins’ extensive reporting. Although the alternating chapters disrupt the flow of each woman’s personal story, readers will question the role of women in Islam and the world as they learn more about the “anti-Muslim pundits and politicians in the United States and Holland” and the positions taken by the CIA, FBI and various Islamic groups during the War on Terror. A capable narrative of two women with similar backgrounds who moved in radically different directions because of their religious upbringing.
Pub Date: Jan. 17, 2012
ISBN: 978-0-06-089897-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Nov. 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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