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ABOUT MY SISTERS

Loving and candid, as the best family stories are.

A rich celebration of life with three sisters.

In this clear-eyed but always loving description of her family, memoirist Ginsberg (Raising Blaze, 2002, etc.) explores the differing ways her siblings relate to each other, ways familiar to all who have sisters. Ginsberg lives in southern California, where she shares a home with her teenage son Blaze and her younger sister Maya. Her parents live close by, as do her two other sisters, Deja and Lavander, and only brother Bo. Ginsberg is the eldest, Deja the youngest, none is married, and Ginsberg is the only parent. The family gets together regularly for dinner and holidays, which are always lively, often contentious, but never nasty. Like an enlarged contingent of musketeers, they’re there for one another—helping Ginsberg with babysitting, comforting their mother when her only sister dies, and loyally attending Deja’s plays. They're also there to offer advice and sympathy when their various relationships with men don’t work out. In separate chapters, the author describes her relationship with each sister as well as with Bo. She explores their varying interactions and recalls the family’s past. Their free-spirited parents met in London in the early 1960s: her mother was from South Africa, her father from Brooklyn, and for many years the family moved often, from London to Brooklyn to South Africa to upstate New York and finally southern California. That kind of family experience unsurprisingly fostered tight-knit bonds. Ginsberg is closest to Maya and finds it most difficult to relate to Lavander, who pushes Ginsberg’s buttons more effectively than anyone else in the family. Lavander is also the only sister not in the entertainment business—she’s a realtor, while Ginsberg writes, Maya is a musician, and Debra an actor. Ginsberg particularly appreciates her sisters’ roles as exceptional aunties to developmentally challenged son Blaze.

Loving and candid, as the best family stories are.

Pub Date: March 1, 2004

ISBN: 0-06-052202-X

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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