Juicy, if superficial and guilty of many of the very tricks it skewers.
From memoirist Ginsberg (About My Sisters, 2004, etc.), a romantic satire about the publishing industry that combines what the heroine herself calls “bite the boss” with “bit the assistant” fiction.
Spurred on by her aspiring-writer boyfriend Malcolm, Angel takes a job as personal assistant to powerful San Francisco literary agent Lucy Fiamma. Lucy, who gained prominence by discovering the wildly successful Alaskan memoir Cold!, by the reclusive author Karanak, gets the job done for her authors, but she is a vicious, heartless slave-driver with no real love for books or writers. But Lucy is no fool, and she quickly discovers that Angel, who worked in an independent bookstore until it closed, has a natural gift for finding promising manuscripts and whipping them into shape. Soon, Angel discovers Damiano Vero, a handsome Italian pastry-chef whose memoir recounting his drug addiction and recovery sells at auction for $500,000. Angel has a few more promising manuscripts in process when she receives an anonymous submission, a novel called Blind Submission, about a literary agency. Angel recognizes that the book is trashy but highly saleable, and Lucy quickly decides to represent the still-anonymous author. Then the chapters Angel begins receiving by e-mail have an increasingly familiar ring. Meanwhile, she and Malcolm break up after his book is rejected by the agency. Angel becomes involved with Damiano. As the chapters of B.S. (hint, hint) pile up, Angel realizes that someone is far too familiar with her life. Who is the author and why is he or she out to get Angel? Ginsberg comes across as an insider who is having a lot of fun skewering the seamier aspects of publishing. Although Angel mentions more than once that books about publishing don’t sell, Ginsberg’s own novel—The Devil Wears Prada meets All About Eve—wants to entertain the masses.
Juicy, if superficial and guilty of many of the very tricks it skewers.Pub Date: Nov. 7, 2006
ISBN: 0-307-34604-8
Page Count: 336
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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