Lively fiction from a fine Maine novelist, one who deserves more attention.
A stolen triptych of paintings and a draconian boarding school are the gravitational poles of a story about love and lies, art and trauma, and the mysteries of fate.
Spark’s fifth novel opens on a Maine island in 2018 as an art appraiser named Gracie Thomas steps off the ferry, ready to be picked up for the last leg of her journey to the home of a collector who’s hired her to set the value of an important trio of paintings by the painter J. Morrison known as the Triplets. The ferry terminal clears out, her ride does not materialize, there’s no cell service, and suddenly the wintry weather is life-threatening. Chapter 2 leaves Gracie by the side of the road and moves to a suburban high school in 1978 Connecticut where Reggie Rupo, who’s been bouncing through the foster care system for most of his life, is pulled out of Spanish class and shipped off to a carceral boarding school called Adalie Lake (whose searing details are based on the author’s interviews with alumni of a real facility closed only in 2011). Chapter 3 turns the clock back to the 1930s with a series of letters between J. Morrison and his wife, Victoria, in which we learn a secret about the Triplets that has been buried ever since. Meanwhile, returning to 2018, Gracie will survive her ordeal only to discover the paintings have gone missing, likely stolen. But what does 1970s Reggie have to do with it? The plot threads come together in a style reminiscent of the linked story collections of Joan Silber—while there is a substantial throughline connecting the key players, there are also characters and settings important in one or two stories, then not seen again. The overall effect is vibrant and suspenseful, if lapsing occasionally into cliche or hasty resolutions of carefully developed situations. After waiting a long time to see whether and how that secret about the paintings will come to light, we expect more outcome than we get. On the other hand, it’s a great little ending.
Lively fiction from a fine Maine novelist, one who deserves more attention.Pub Date: March 15, 2024
ISBN: 9781954245983
Page Count: 316
Publisher: Four Way
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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