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UNKNOWN CALLER

A book of candor and complexity that captures human relations with heart-rending accuracy.

An emotional and surprising story of a fractured family.

This novel is a nonchronological tale of the interwoven lives of Liesel, who is vivacious yet irresponsible; Joel, her ex-husband, who is staunch yet critical; their daughter, Idzia, who is artistic yet wounded; and their many dear friends and romantic loves. Five years after she leaves Joel, Liesel begins semiregularly calling him in the middle of the night to request child support. He's willing to send money if he's allowed to be a part of Idzia’s life—a request to which Liesel cannot bear to agree. After many years of these nighttime disruptions and many attempts on Joel’s part for legal intervention, Liesel is spurred by her life-threatening illness to concede to a visit. But on the planned day, 17-year-old Idzia never arrives, and Joel is left waiting at the Boston airport. What follows is an exploration of why: what led to this moment and what came after. In vibrant prose, she describes Liesel's life before she met Joel, when she was an entirely different person but no less unsatisfied; Joel’s impatience, which compelled Liesel to have an affair, causing their marriage to fall apart; and the no-less-imperfect relationships that came after. The story’s structure, jumping back and forth in time and place, allows these authentic, flawed characters to be fully fleshed out. Spark (Pretty Girl, 2012, etc.) offers nuggets of poignant wisdom, such as when a dear family friend explains to Idzia, in the most intense hour of her life, “At the moment, your resources for dealing with pain are unequal to your pain. The challenge, for the rest of your life, will be to change that.” Spark’s principal accomplishment, though, is the care she takes to create multidimensional characters who behave in unexpected, truthful ways. Their fullness and intricacy gracefully illustrate how every story has many versions, every memory many interpretations.

A book of candor and complexity that captures human relations with heart-rending accuracy.

Pub Date: Aug. 22, 2016

ISBN: 978-0-8071-6469-3

Page Count: 272

Publisher: Louisiana State Univ.

Review Posted Online: July 19, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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