The Boston-based editor of Twenty Under Thirty reveals her own promise with this magical first novel, centered around a set of identical girl triplets and their mysterious father, who tries to lose himself in sunny Puerto Rico. In 1968 Sandrofo Cordero Lucero leaves Brooklyn with his three five-year-old daughters, hoping for a new, safe, anonymous life in the Caribbean. Having inherited a small San Juan bakery from his wife, who died in childbirth, Sandrofo promptly learns a baker's skills and spends the next ten years kneading dough and baking wedding cakes while his daughters serve a motley crew of customers over the counter. The three Lucero sisters—Tata, a dramatic actress-to-be; Melone, the smart one; and Beatriz, a sensitive girl who refuses to speak—are too obsessed with the town's daily scandals and intrigues to wonder why their quiet, handsome father refuses to seek a girlfriend and never talks about his past. Their complacency is challenged when 35-year-old Maria Elena Pico, an employee at a local art gallery, falls in love with Sandrofo and begins to question his daughters about their prePuerto Rican life. The girls realize they know almost nothing about their early history, and this discovery prompts them to explore their own emerging personalities and discover who they have become. Meanwhile, Maria Elena persists in digging into Sandrofo's origins, playing 20 Questions with her lover and finally consulting a local psychic. Her persistence and Sandrofo's refusal to own up to his duplicity eventually bring disaster to his family. In the end, Maria Elena and the girls learn that it is the love they share, more than who they happen to be, that provides home and security for them all. A captivating, sweetly lyrical tale by an up-and-coming talent. (First serial to Agni, the Boston Globe, and Epoch)
Pub Date: Nov. 1, 1994
ISBN: 0-571-19846-5
Page Count: 294
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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