Tender, fierce, proudly Black and beautiful, these stories will sneak inside you and take root.
In a collection of luminous stories populated by deeply moving and multifaceted characters, the Black girls and women who sit in traditional church pews discover their own unique ways to worship.
Though each of these nine stories carries a strong female voice, or voices, from a different region, life experience, and time, the church and its profound influence on Black communities is a complex character in itself. In "Eula," two 40-year-old lifelong friends battle each other in defining the parameters of a relationship that had turned sexual years earlier. Tension mounts between the women on New Year's Eve 1999, the last day of the 20th century, when Caroletta, the narrator, wants Eula to admit they could be more than occasional lovers while Eula refuses to let go of her dream of a traditional churchly life with a husband and child. Meanwhile, in "Jael," a woman raising her orphaned great-granddaughter finds the 14-year-old's diary and reads about her erotic obsession with the preacher's wife, struggling with her own judgment that the child she raised might be an ungodly abomination. In "How To Make Love to a Physicist," a middle school teacher embraces therapy, still taboo in many communities of color, to work her way through fears stoked by her rigid mother and give herself over to an unexpected love. The strongest story in a collection of gems is "Peach Cobbler," which finds a teenage girl reckoning with her mother's coldness and yearslong affair with their pastor. No saints exist in these pages, just full-throated, flesh-and-blood women who embrace and redefine love, and their own selves, in powerfully imperfect renditions.
Tender, fierce, proudly Black and beautiful, these stories will sneak inside you and take root.Pub Date: Sept. 1, 2020
ISBN: 978-1-949199-73-4
Page Count: 192
Publisher: West Virginia Univ. Press
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
A fresh, often funny, always poignant take on the coming-of-age novel.
After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.
Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.
A fresh, often funny, always poignant take on the coming-of-age novel.Pub Date: Jan. 31, 2023
ISBN: 978-1-2502-8252-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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