Next book

LEFT ON TENTH

A SECOND CHANCE AT LIFE

Even more endearing than you'd think. Older readers will feel cheered by the story—and the fact that she remembers it all.

A beloved writer in her 70s faces life's heaviest weather.

Ephron, whose career includes humor, plays, screenplays, and novels, chronicles a series of "left turns, some perilous, some wondrous," that began with the death of her sister Nora in 2012, followed a few years later by the death of her husband of nearly four decades—the man "I'd been looking for…my whole life and he felt the same." Not long after Jerry's death, she heard from Peter. Though they had dated briefly in college, she had no memory of him. “My sensibilities had been so rattled by Jerry’s death,” she writes, “I could feel that young girl banging around inside me, waiting to take me down.” Also a recent widower, Peter turned out to be another perfect match. In fact, their relationship, as depicted in the book, goes so well that you keep waiting for it to crash, right up until they are married in a room at the hospital where Ephron began treatment for the very disease that killed her sister. That particular left turn was especially difficult, and the author decided to have her assistant gather all her emails from 2015 to 2018 so she could tell the entire story. Many readers’ only complaint will be that Ephron includes in full more of those emails than is strictly necessary. Along the way, we get wisdom about writing ("Writers are writers first. Before anything else. It's a calling") and charming insight into the relationship the author had with her superfamous older sister. "I didn’t think the doctors were concerned about me, because they were Nora’s doctors,” she writes. “Also, she was a national treasure—a writer and director, reinventor of the romantic comedy, admired by women everywhere. I was just, well, me."

Even more endearing than you'd think. Older readers will feel cheered by the story—and the fact that she remembers it all.

Pub Date: April 12, 2022

ISBN: 978-0-316-26765-6

Page Count: 304

Publisher: Little, Brown

Review Posted Online: Dec. 20, 2021

Kirkus Reviews Issue: Jan. 15, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 448


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 448


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Next book

THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

Close Quickview