Poet and novelist Johnson (The Stars at Noon, 1986, etc.) further elaborates his disorienting vision of a cracked world in this unnerving and edgy novel—a very hip sort of postmodern Catholic fiction that keeps you off-balance with all its genre-blending and gender-bending. A Walker Percy-ish "knight of faith" pursues his paranoid quest-romance in the Provincetown of Mailer's Tough Guys Don't Dance. Far more spiritually corrupt and confused than any Percy character, however, Leonard English really seeks oblivion. A former medical-supplies salesman from Kansas, Lenny arrives on the tip of Cape Cod in the off-season to begin his part-time jobs as a graveyard D.J. and unlicensed p.i. A self-described nobody, for whom "nothing connects," this failed suicide roams the Cape, "wondering about Heaven all the time" and pondering the mystery of the Resurrection. In a local church, he glimpses the woman of his dreams—a raven-haired beauty who happens to be a lesbian and the subject of one of his desultory investigations. Lenny's work for the elderly Ray Sands, a retired cop, always makes him feel dirty. Sands's mysterious activities for a group called the "Truth Infantry" feed Lenny's worst fears, as does a bizarre late-night kidnapping that leaves him worse for wear. God-crazed and faced with Hell's random fury, Lenny becomes Leanna's bedmate, though her heterosexual experiment doesn't come to fruition until one particularly weird moment when Lenny admits his darkest secret: the autoerotic consequence of his suicide attempt by hanging. When their awkward love falters, and strange events accrue, Lenny's psychosis blooms; delusions of his incarnation mount. Lenny's Second Coming finds him a cross-dressing would-be assassin of a local bishop. And while the transvestism allows him to blend into the scenery, his gun-toting lands him in the slammer—where he finds peace eternal. Johnson's jagged dialogue, elliptical phrasing, and odd-ball metaphors all serve his cool metaphysical purposes—a tension-driven detective story in which the major mystery is: God or nothingness? Readers will be surprised by demented joy in this cosmically charged fiction that combines hard-boiled theology and a redeeming wit—the perfect spiritual tonics for tough times.
Pub Date: Jan. 1, 1991
ISBN: 374-24949-0
Page Count: -
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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