Poet and novelist Johnson (The Stars at Noon, 1986, etc.) further elaborates his disorienting vision of a cracked world in this unnerving and edgy novel—a very hip sort of postmodern Catholic fiction that keeps you off-balance with all its genre-blending and gender-bending. A Walker Percy-ish "knight of faith" pursues his paranoid quest-romance in the Provincetown of Mailer's Tough Guys Don't Dance. Far more spiritually corrupt and confused than any Percy character, however, Leonard English really seeks oblivion. A former medical-supplies salesman from Kansas, Lenny arrives on the tip of Cape Cod in the off-season to begin his part-time jobs as a graveyard D.J. and unlicensed p.i. A self-described nobody, for whom "nothing connects," this failed suicide roams the Cape, "wondering about Heaven all the time" and pondering the mystery of the Resurrection. In a local church, he glimpses the woman of his dreams—a raven-haired beauty who happens to be a lesbian and the subject of one of his desultory investigations. Lenny's work for the elderly Ray Sands, a retired cop, always makes him feel dirty. Sands's mysterious activities for a group called the "Truth Infantry" feed Lenny's worst fears, as does a bizarre late-night kidnapping that leaves him worse for wear. God-crazed and faced with Hell's random fury, Lenny becomes Leanna's bedmate, though her heterosexual experiment doesn't come to fruition until one particularly weird moment when Lenny admits his darkest secret: the autoerotic consequence of his suicide attempt by hanging. When their awkward love falters, and strange events accrue, Lenny's psychosis blooms; delusions of his incarnation mount. Lenny's Second Coming finds him a cross-dressing would-be assassin of a local bishop. And while the transvestism allows him to blend into the scenery, his gun-toting lands him in the slammer—where he finds peace eternal. Johnson's jagged dialogue, elliptical phrasing, and odd-ball metaphors all serve his cool metaphysical purposes—a tension-driven detective story in which the major mystery is: God or nothingness? Readers will be surprised by demented joy in this cosmically charged fiction that combines hard-boiled theology and a redeeming wit—the perfect spiritual tonics for tough times.
Pub Date: Jan. 1, 1991
ISBN: 374-24949-0
Page Count: -
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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