Smart, sensitive, and scary as hell.
A couple grapples with monstrosity in this tense horror novel.
Holly and Brian need a break. The couple have had a rough year, recovering from a horrible incident that left them both with severe post-traumatic stress; Holly has coped by throwing herself into her work, while Brian has developed debilitating anxiety: “They’re too far apart and always drifting further. He doesn’t understand how she keeps getting stronger, and she doesn’t understand why he keeps getting weaker.” They decide to take an “emergency vacation” to the village of Pinebuck, New York, where they plan to drink, eat, and relax in a B&B. Unfortunately, a blizzard hits the town, and the couple’s car crashes en route after having been followed by “a giant, white shape that doesn’t blow apart and almost looks solid.” It turns out to be a snow monster that leaves a trail of destruction wherever it goes, which of course draws the attention of the town’s beleaguered sheriff, Kendra Book; she suspects that Holly and Brian are actually behind the carnage—and in a way, she’s right. “One: there’s a monster,” Holly explains to Brian. “Two: we’re the monster. It’s you, and then it’s me, and after me it goes to you again.” It’s an off-kilter premise, but Mahoney pulls it off beautifully, with legitimately terrifying action scenes and a creeping sense of horror threaded through the book. But where he shines brightest is in his depiction—sensitive and accurate—of post-traumatic stress and anxiety: “Happiness was dangerous,” he writes of Brian. “He had to keep his guard up. He watched for threats and problems and began to see them everywhere. But much of what he did to minimize trouble had the opposite effect and made things worse.” There are two monsters in the book: one made of snow, the other made of psychological anguish. Mahoney does an excellent job illustrating how terrifying both are.
Smart, sensitive, and scary as hell.Pub Date: Jan. 28, 2025
ISBN: 9781641296335
Page Count: 304
Publisher: Hell's Hundred
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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