A modern take on the Western novel, driven by well-defined characters and a plot both spirited and sweeping.
A farming family endures and thrives in Texas during the second half of the 19th century.
In this debut Christian historical novel, Ricotta tells the story of the Caldwell family, beginning with patriarch Mason’s departure to fight for the Confederacy in 1861. Mason’s wife, Lydia, and the Caldwell children keep the farm going until Mason returns from war, severely wounded. The postwar years are a time of physical and emotional healing as Mason recovers from his injury and reconnects with his now-adult children. The family expands as neighbors and in-laws become integral parts of the Caldwell circle. The Caldwells face challenges, from violent criminals to a corrupt sheriff and Mason’s war wounds, but triumph over their obstacles through love and faith. Elements of Texas history, particularly the founding of the postwar Texas Rangers, drive much of the story, along with classic elements of the Western, including settlers headed toward the California gold fields, an out-of-control gambler, and posses chasing both justice and vengeance. The cast of characters is notably diverse, including the son of an American missionary and her Chinese husband, a half-Cherokee man looking for a fresh start in ranching, a former slave who helps Mason come to terms with his injury, and a beautiful girl determined to fend for herself from her wheelchair. The depictions are not without their missteps and stereotypes (“He had never been able to get close to anyone because of constant rejection as a half-breed”; a gay character is welcomed only if he remains celibate), but they bring a modern vibrancy and variety often missing from stories of the settling of the West. While the use of dialect can be excessive (“It sure would be grand if’n I could find a gal so fine and have a dandy party like this”) and the prose uneven, the fast-moving plot and compelling characters keep the reader engaged and balance out the limitations of the narrative.
A modern take on the Western novel, driven by well-defined characters and a plot both spirited and sweeping.Pub Date: March 11, 2016
ISBN: 978-1-5127-3132-3
Page Count: 354
Publisher: Westbow Press
Review Posted Online: July 5, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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