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THE UNQUIET AMERICAN

RICHARD HOLBROOKE IN THE WORLD

Reverential but mostly evenhanded assessment of a singular diplomat.

An elucidating collection of writing by and about the late fiery, outspoken, undeniably capable United Nations ambassador and longtime diplomat.

Holbrooke (1941–2010) died suddenly at age 69, while serving his final mission as the U.S. Special Representative for Afghanistan and Pakistan, appointed by President Obama and Secretary of State Clinton. In this omnibus, which incorporates many of his fine, reflective essays, former State Department colleagues like Strobe Talbott, prominent journalists such as Jonathan Alter and widow Kati Marton write movingly about Holbrooke’s long and eventful life. His successful career included his diplomatic cutting-of-teeth in Vietnam in the early 1960s, editing Foreign Policy magazine, appointments during every Democratic presidential administration since and including Jimmy Carter's, negotiating the Bosnia war treaty in 1995 (for which he was considered for a Nobel Peace Prize) and spearheading a more assertive approach to AIDS/HIV awareness among the global business community while at the UN, among many other notable accomplishments. Growing up in Scarsdale, N.Y., Holbrooke heeded JFK’s idealistic call to “do” for his country and entered the Foreign Service after college. His work on “pacification strategy” as part of the American counterinsurgency effort in Vietnam gave him a unique view on the failed U.S. effort there, which lent him expertise and credibility in diplomacy initiatives decades later in “Ak-Pak.” He was chosen as the youngest member of the American delegation to the Paris Peace Talks led by Averell Harriman in 1968, and helped assemble the Pentagon Papers. He worked alternately on Wall Street and as ambassador to Germany in the early Clinton presidency, and he was in favor of expanding NATO and the EU and of reforming the State Department as well as the UN. Holbrooke could be abrasive, ambitious and publicity-savvy; one observer noted, “He was as good at seducing journalists as he was at bullying dictators like Milosevic.”

Reverential but mostly evenhanded assessment of a singular diplomat.

Pub Date: Nov. 8, 2011

ISBN: 978-1-61039-078-1

Page Count: 400

Publisher: PublicAffairs

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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