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AT YOUR OWN RISK

A SAINT'S TESTAMENT

Patchy memoir by gay British filmmaker Jarman, who tested HIV- positive five years ago, has survived a handful of illnesses, and is still going strong. Jarman covers five decades here, at times attuning his voice to each period. The story, what there is, often melts down into gay commentary, and we never get a satisfying history of the author's films (Sebastian, Caravaggio, Edward II, etc.), his filmmaking, or incidents tied to filmmaking—although a few reviews are reprinted and answered, along with gay manifestos, some by Jarman. This is as much a cannon blast as a memoir, and some bitterly juicy quotes can be lifted from the text (``Understand that if you or I decide to have sex, whether safe, safer, or unsafe, it is our decision and other people have no rights in our lovemaking''), with Jarman wanting to forget his illness and make love blithely with seemingly whomever is pleased to have him. One idea often repeated is that all men are homosexual and that heterosexuality is the deviant form of sex. As Jarman puts it: ``It eventually dawned on me that heterosexuality is an abnormal psychopathic state composed of unhappy men and women whose arrested emotions, finding no natural outlet, condemned them to each other and lives lacking warmth and human compassion.'' He describes rigid British laws anent homosexuality and states his belief that there should be no age of consent, that homosexuality begins when it begins and should not be locked up in legalities. Jarman laments dead friends carried off by AIDS, defends his movies, and gives the fist to moral censure. Past fear, he fights on. For readers fresh to the fray, the title tells all. (Eighteen b&w photographs.)

Pub Date: Feb. 21, 1993

ISBN: 0-87951-473-6

Page Count: 144

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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