by Derek Munson & illustrated by Tara Calahan King ‧ RELEASE DATE: Nov. 1, 2000
Bland pictures and superficial presentation sink this problem-solver. Feeling slighted by new neighbor Jeremy, the aggrieved young narrator accepts his father’s offer to make an “enemy pie.” Dad insists on doing the baking, but tells the lad that the recipe also requires spending a day playing with the enemy—after which, predictably, the two lads sit down as newly minted friends for pie à la mode. Though the narrator speculates about the pie’s ingredients, the promisingly gross worm-and-weed dishes on the cover never materialize in the illustrations inside, nor are any of Jeremy’s supposed offenses depicted. Instead, King shows the boys in a series of conventional, static scenes, throwing water balloons at girls and other fun activities. Meanwhile, Dad’s fixed, knowing smile invites viewers to share the conceit—even though his naïve son never does catch on. And is Jeremy really so hostile? He displays so little individual character that it’s hard to get a read on him; he just seems to be going with the flow. Invite readers to order up a bowl of Betsy Everitt’s Mean Soup (1992) instead, or a slice of Margie Palatini’s Piggie Pie (1995). (Picture book. 6-8)
Pub Date: Nov. 1, 2000
ISBN: 0-8118-2778-X
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
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More by Derek Munson
BOOK REVIEW
by Derek Munson ; illustrated by Tara Calahan King ; translated by Juan Pablo Lombana
by P.L. Travers ; adapted by Amy Novesky ; illustrated by Geneviève Godbout ‧ RELEASE DATE: Oct. 23, 2018
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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BOOK REVIEW
by P.L. Travers ; illustrated by Júlia Sardà
by Andy Holloway ; illustrated by Honee Jang ‧ RELEASE DATE: Aug. 30, 2022
A heartfelt forward pass from one generation to the next (and the next).
A pigskin-themed paean to family and family traditions.
As images depict a football-shaped newborn growing up, marrying, and helping to produce another—the second actually dressed in a football onesie, which is adorable—sports podcaster Holloway notes rookie season fumbles and triumphs, team huddles on the sofa to watch the big games, the passage of quarters and seasons, and major life events (like the wedding: “One day you may get drafted / To a franchise of your own”). All the while, Holloway promises to cheer from the sidelines in victory or defeat, to be there when needed, and to give each “wonderful expansion / of our football family” both a welcome and proper coaching. The family in Jang’s shiny, reasonably realistic illustrations includes three children. The verse’s language is nonspecific enough to apply to offspring of any gender as well as adoptees. In school settings and on playing fields of several sorts, the child, at various ages, light-skinned like their parents, joins a diverse group of peers, including one wearing a hijab and another who uses a hearing aid, while the child’s own family includes a dark-skinned sibling and, by the end, a child with, like their spouse, Asian features. (This book was reviewed digitally.)
A heartfelt forward pass from one generation to the next (and the next). (Picture book. 6-8)Pub Date: Aug. 30, 2022
ISBN: 978-1-250-84715-7
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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