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IN THE LION’S COURT

POWER, AMBITION AND SUDDEN DEATH IN THE REIGN OF HENRY VIII

Remarkable research, a masterful synthesis—but lacking an animating panache. (16 pages b&w photos, not seen)

A novelist and popular historian (The King and the Gentleman: Charles Stuart and Oliver Cromwell, 1499–1649, 1999, etc.) argues that the six wives are far less significant to our understanding of Henry VIII than the six Thomases who served him: Wolsey, More, Cromwell, Howard, Wriothesley, and Cranmer.

What interests Wilson is the politics of Henry’s court, and so he focuses on the politicians—secular and sectarian—who rose and fell (or knelt briefly at the block) during Henry’s 38-year reign. He achieves a number of important goals in his long, dense text: (1) he humanizes More, establishing beyond debate that he was not the saintly martyr of A Man for All Seasons; (2) he creates some sympathy for Wolsey, too often portrayed in history as a fat-cat cardinal interested only in acquiring wealth and power; (3) he reveals much about the lesser-known Thomases, especially Cromwell, Cranmer, and Wriothesley, all of whom had enormous gifts, painstakingly shown by Wilson. As much as he wishes to shove the six wives into the shadows of the six Thomases, though, he recognizes that the status of the men rose and fell with the king’s marital relationships. Failure meant loss of power (Wolsey) and even loss of life (More, Cromwell). Wilson displays an impressive command of early Tudor history and an even more impressive ability to interweave so many separate strands of the great story. Some individual sentences shine with wit and insight (“Henry was besotted with his new queen [Catherine Howard] and persuaded himself that he was young again”), yet he seems determined to exclude from his narrative any of the lurid details of life, sex, and death that have drawn readers to the subject for centuries. The deaths of Anne Boleyn, Thomas Cromwell, and Catherine Howard are recorded in the most restrained and even prudish prose (we are told only that Cromwell’s headsman “bungled the job badly”).

Remarkable research, a masterful synthesis—but lacking an animating panache. (16 pages b&w photos, not seen)

Pub Date: April 1, 2002

ISBN: 0-312-28696-1

Page Count: 576

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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