This fizzy, au courant rom-com is more farce than love story.


Chick lit written by a guy—a guy who writes the “Vows” column for the New York Times

This meringue of a novel features star-crossed if slightly annoying lovers Naomi Bloom and Austin Gittleman. They met in elementary school, haven't seen each other in ages, then reconnect at the California wedding of childhood friends. Will they seize their chance at happiness? This is a question Sipher (The Wedding Beat, 2012) leaves open until the final chapter. The metaphoric implications of the title are broadcast early, when Naomi and Austin spend part of the wedding in a philosophical argument about whether wrong turns are possible. Their creator's real talents lie not in philosophy (nor primatology, ophthalmology, Internet capitalism or haute cuisine, the professions he doles out among his characters) but in pop culture and witty chatter. Naomi is contacted on OkCupid by a guy who appeals to "the Team Edward girl inside her, not that she'd ever admit to having seen a Twilight movie." Later, she realizes her values are more conventional than she had thought: "[S]he could take the girl out of the OC, but she couldn't take the OC out of the girl." Another character clarifies his opposition to marriage: "My idea of a fun night isn’t cuddling up with someone and watching Project Runway. I'd prefer to be sitting in my boxers watching Family Guy." Despite the Twitteriness of it all, Sipher attempts to give the narrative emotional weight—a tragedy in Austin's past casts a shadow over the story, and another one awaits him in these pages. Yet these dark strokes seem almost inappropriate. Fortunately, the plot includes three weddings—two straight, one gay—and with these, Sipher's touch is sure.

This fizzy, au courant rom-com is more farce than love story.

Pub Date: June 3, 2014

ISBN: 978-0-451-23966-2

Page Count: 272

Publisher: New American Library

Review Posted Online: May 7, 2014

Kirkus Reviews Issue: May 15, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.


Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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