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SEX, DRUGS & JESUS

A MEMOIR OF SELF-DESTRUCTION & RESURRECTION

A bleak but often engrossing real-life story of an eventful and sometimes-dangerous life.

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In this debut memoir, a young man explores his sexuality and spirals into illicit drug use.

Hubert was born in 1982, and his early life in Baton Rouge, Louisiana, was a continuous struggle with poverty. Still, he was mostly happy, as he grew up with a loving mother and a doting grandmother. In 2000, when he was 17, he joined the U.S. Air Force and underwent basic training in San Antonio. Hubert, though sexually inexperienced, already knew he was gay, and so did a surprising number of his fellow recruits; the experience, he says, initially seemed like a "gay paradise." The internet afforded him the chance to have casual sex with other men, and he did so with reckless abandon. This led to his first experience with a sexually transmitted disease, which the author graphically describes in perhaps the book’s most difficult scene to read. After he left the military, Hubert later found solace in volunteer work for a Christian church. He also loved partying and wearing extravagant attire, and although he’d steered clear of drugs while in the Air Force, he soon dabbled in cocaine and methamphetamines and racked up dangerous debts. Bill collectors were trying to track him down, and a terrifying drug dealer threatened him with violence. Hubert eventually lost hope when he learned that he was HIV positive, as he considered the diagnosis a “death sentence.” He knew that he wanted to realize his dream of running his own business. But before that, he’d have to fight to stay alive, and that meant getting himself far away from drugs—both as an abuser and as a dealer.

Given the subject matter, readers will likely anticipate a somber autobiography in these pages, and indeed, it frequently is. However, the author’s consistent optimism helps to alleviate the moments of grimness. He recounts numerous explicit sexual encounters shared between willing participants who enjoyed one another. Hubert also tells of how his connection to spirituality—specifically, to God and Jesus—though often tested, served him well in his life. Over the course of this book, Hubert’s straightforward prose is occasionally sparse in style, with only nominal details about his surroundings. Still, he clearly and memorably portrays the events of his life throughout. A gig at a call center during his time in Houston, for example, took place in a rowdy “maze of cubicles,” with a stunning view of the city spoiled by the loathsome manager yelling “Get to work!” His descent into cocaine and meth abuse is suitably unnerving; he had tense encounters with cops and often seemed alarmingly oblivious to the perpetual danger surrounding him—even when one person was intent on killing him. Hubert wraps up his life story in the present day, about a decade after the bulk of the events herein. Rather oddly, though, he ends the memoir with a post-epilogue in which he tells of an apparent encounter with witchcraft as a teenager.

A bleak but often engrossing real-life story of an eventful and sometimes-dangerous life.

Pub Date: March 16, 2022

ISBN: 979-8985896329

Page Count: 365

Publisher: DownUnder Media LLC

Review Posted Online: Sept. 25, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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