Little Known Fact: lots of cheery text, exclamation marks and trendy electronic devices do not necessarily add up to a...
Santa’s head elf delivers an hour-by-hour report as he and two other male elves assist Santa with his Christmas Eve deliveries, as well as an emergency delivery on Christmas morning.
This 21st-century elf uses a smartphone, takes “elfies” and communicates with the North Pole with a phone headset. Santa needs his head elf to keep him on track to get through the night, so the elf urges him along with a text: “Time to fly, big guy!” Each page indicates the number of hours left until Christmas morning along with the sleigh’s current location, problems solved and a feature called “Little Known Facts.” For example, “Santa loves dogs and dogs love Santa.” The deliveries are completed by sunrise, but Santa and the elves find a stowaway dog named Tugboat hiding in the bottom of the toy bag, necessitating a return trip. The story tries hard to be humorous and up-to-the-minute, but it is neither new nor particularly funny. Cartoon-style illustrations are adequate but also rather pedestrian. Mrs. Claus is the only female character, holding a tray with hot chocolate and yelling at the menfolk to do the right thing. A 21st-century Mrs. Claus might grab some gal-pal elves and return that dog herself. Although the elves are all male, the general elf crew is multiethnic, and the head, protagonist elf has warm, brown skin and straight black hair—perhaps he's Asian or Latino. In any event, he and his brethren represent a step forward for ethnic elf diversity.
Little Known Fact: lots of cheery text, exclamation marks and trendy electronic devices do not necessarily add up to a successful Christmas story. (Picture book. 4-7)Pub Date: Sept. 1, 2014
ISBN: 978-1-58536-910-2
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Oct. 1, 2014
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
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