An emotional and remarkably inventive fantasy.
A pair of children from a religious sect go on a quest as their world tips toward war in Morgenstern’s fantasy series opener.
In the world of Evigonda, four kingdoms vie for resources and power: Yudecca, Borensati, Selador, and Nazarelle. In the waters south of Yudecca, on an island monastery, the monks of Regnaröv magically harness the elements to defend the continent against monstrous, seagoing reptilians called Naga. To satisfy the demands of deities Leviathan and Naamah, a ritual called the Reaping must occur, which requires a seer to “harvest life energy from each nation and bring it to the Shepherd’s Nexus” in the continent’s center. The young seer Bo, who’s sightless but can read emotional auras, has been chosen for the task. She’s accompanied by acolyte Amos, who’s unable to speak; his best friend, Eli, died during a Naga attack and became the first soul collected in a ceremonial dagger for the Reaping. Though escorted for part of their journey by the monk Kohana, the children eventually meet Vyuuri, a wily former monk who renounced his loyalty to Regnaröv. Meanwhile, in Nazarelle, the soldier Lancaster Ben’Shual hopes to win the hand of Princess Winona. After Lancaster loses an eye in battle against Seladorian Templars, King Saul assigns him to gather intelligence on the technologically advanced Ashborn warriors. Over the course of this book, Morgenstern offers a brisk, concept-dense epic that succeeds in keeping its large cast in focus. Fans of grand fantasy series, such as David Farland’s Runelords novels, will be impressed by the abundant cultural details, including each nation’s splinter groups, gods, magic systems, and unique relationships. As the tribal chaos surrounding Amos and Bo increases, the two lonely main characters grow closer. Morgenstern’s main theme—that everyone has within them good and evil—is perfectly illustrated in the gripping finale, which seemingly pits heroes against each other. More darkness is expected in the planned sequel.
An emotional and remarkably inventive fantasy.Pub Date: May 25, 2021
ISBN: 979-8-51-024556-1
Page Count: 229
Publisher: Self
Review Posted Online: July 23, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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