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DARLING MONSTER

THE LETTERS OF LADY DIANA COOPER TO SON JOHN JULIUS NORWICH, 1939-1952

Warm, shrewd and glowing with love for her son, these letters offer an indelible portrait of an extraordinary woman and her...

A mother’s letters to her son illuminate British history.

The beautiful socialite Diana Cooper (1892-1986), wife of statesman Duff Cooper, was separated from her only son, John Julius Norwich (b. 1929), for many years from 1939 to 1952. As war approached, the couple sent him to America for his safety. When he returned, he enrolled at Eton; at 18, he joined the Royal Navy. Missing him deeply, Lady Diana wrote hundreds of letters from which Norwich (Absolute Monarchs: A History of the Papacy, 2011, etc.) has selected those he considers “the best” in revealing his witty mother and her elite circle. A “Directory of Names” identifies informal, even chummy references to such notables as Duckling (Winston Churchill), Bill (William S. Paley, president of CBS, with whose family Norwich lived in New York during the war), Bloggs (Wyndham Baldwin, the son of the prime minister, with whom, Norwich writes, “my mother had a gentle love affair”) and Mr. Wu (Evelyn Waugh). Norwich introduces each of the sections with a sample letter to his parents and a lively biographical précis, setting his mother’s correspondence in context. Her own letters are charming, anecdotal and sharply observant, meant both to share her experiences and draw her son close: “I enclose my broadcast,” she wrote when he was 11, “not that I’m in any way proud of it but… so that we may not lose touch with one another. It’s so easy with the waste of seas between us.” Lady Diana, having no pretense of self-importance, was not easily impressed. Queen Elizabeth seemed to her a “plump little siren,” and Churchill, amusing but self-indulgent. She makes palpable the assault of the Blitz, England’s desperate need for American support and the dire conditions of postwar Europe, as well as her husband’s frustrating tenure as minister of information.

Warm, shrewd and glowing with love for her son, these letters offer an indelible portrait of an extraordinary woman and her vanished world.

Pub Date: Aug. 14, 2014

ISBN: 978-1-4683-0922-5

Page Count: 528

Publisher: Overlook

Review Posted Online: May 26, 2014

Kirkus Reviews Issue: June 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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