by Diana Joseph ‧ RELEASE DATE: Aug. 15, 2003
A bright talent whose vision seems to be coalescing around a single problem.
A dozen debut tales about, more often than not, surprise pregnancies and ultra-demanding father figures.
Joseph demonstrates dexterity with plotting stories, often bouncing about mid-paragraph between temporal spaces distantly removed from one another: The effect is that of the past’s immediate effect on the present, while the lesson is that old wounds never heal completely. In “Bloodlines,” a horse-raising family discovers their limitations when a horse kills brother Martin, prompting father to slaughter all the Appaloosas. A woman contemplates matters of identity in “Naming Stories” through an examination of names that we’re given, that labeled, or that are withheld from us. “Approximate to Salvation” is a young woman’s account of an adolescence spent under a horrific patriarch, a man so cruel no one can confront him. A boy’s cough (“Sick Child”) triggers a reflection, for the mother, on insecurity and family unhappiness, and the sad meander that becomes of life in the wake of spoiled dreams. “The Fifth Mrs. Hughes” tracks the pregnancy and motherhood of a woman who is repeating the pattern of parents who themselves knew nothing of marriage, and a young boy watches his mother (“Schandorsky’s Mother”) chronicle her divorce and relationship with a biker in a long poem she occasionally shows him. “Many Will Enter, Few Will Win” is a dreamy tale of a family stuck in mid-disintegration, echoing the best of Mary Robison. And “Shared and Stolen” is another dreamy meditation on family, in which the necessities of life are pilfered in an attempt to escape a stifling genealogy.
A bright talent whose vision seems to be coalescing around a single problem.Pub Date: Aug. 15, 2003
ISBN: 0-88748-369-8
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
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by Diana Joseph
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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