Adoring life of Hepburn (``the prettiest, sweetest angel in heaven''), written with help from the actress (1929-93) herself during her final year. Support from Hepburn clearly helped Maychick (Meryl Streep, 1984) straighten out the actress's background: noble Dutch lineage; early years in the Netherlands under the Nazis; Resistance activities; dysfunctional family; first inroads of her eating disorder; misfire as a dancer; first films in Britain, and so on. But Maychick got less help on the real dirt, such as Hepburn's affair with married William Holden (``the love of her life''), whom she dumped when he said he'd had an irreversible vasectomy and couldn't have children. A chubby child with an addiction to chocolate, Hepburn turned off all interest in food during the war years, especially when driven by the Nazis into hiding alone for a month in a cellar, where she created a purposeful distaste for what she couldn't have. She hit it big simultaneously on Broadway— having been discovered by Colette herself to play Gigi—and in Hollywood, winning on the same night an Oscar and a British Film Institute citation as best actress (both for Roman Holiday). A Tony (for Giradoux's Ondine) and a cover story in Time soon followed— but few fans knew that Hepburn had little background in Hollywood films, or that her gamin innocence was the real thing. (Asked how he liked ``working with that dream girl'' in Sabrina, Bogart replied, ``She's okay, if you like to do 36 takes.'') Hepburn's marriage to lesser star Mel Ferrer drained her, as did some miscarriages, though a son finally came. She died of colon cancer right after visiting Somalia for UNICEF. Hepburn lends a gripping spine to Maychick's styleless but serviceable effort. (Sixteen pages of b&w photographs) (First serial to Cosmopolitan)
Pub Date: Dec. 1, 1993
ISBN: 1-55972-195-2
Page Count: 304
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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