Perhaps more than some architecture buffs may bargain for, but enriching in its historical sweep and context.

TAJ MAHAL

PASSION AND GENIUS AT THE HEART OF THE MOGHUL EMPIRE

The legendary shrine to love and power viewed as a defining statement of two centuries of Moghul rule in India.

The Prestons (co-authors, A Pirate of Exquisite Mind, 2004) brook no casual approach to appreciation of the architectural masterpiece in Agra, India, long known as one of the world’s wonders. Readers should be prepared to trek back to the roots of the Mongol/Turkic people, direct descendants of conquerors Genghis Khan and Tamburlaine, who flooded through the Khyber Pass into Hindustan (northern India) early in the 16th century, led by Babur, the first Moghul emperor. A century of conquests, internecine rivalries and political intrigues, plus the melding of the Moghuls’ Islamic customs with the Hindu ways of their Indian subjects, is given considerable detail before the emergence of Shah Jahan (1592–1666), the grandson of the emperor Akbar, who was Babur’s grandson. The familiar tale of the tragic death in childbirth of Jahan’s beloved wife Mumtaz Mahal ensues, along with the enduring passion of his grief and the erection of an extraordinary monument and tomb in her honor. The authors give a mere nod to modern factions at odds with consensus history (claims include that the Taj Mahal actually incorporates a pre-existing Hindu temple). They acknowledge that the actual architect has never been named, nor are there indisputable records of the total cost of erecting the Taj as a new structure (both cited as arguments for pro-Hindu claims of origin). However, their statement that the Taj not only incorporated both Muslim and Hindu elements but synthesized them into “a building that is much greater than the sum of its influences” seems well buttressed by generations of breathless observers glimpsing its marble and sandstone exterior in the changing light of late afternoon.

Perhaps more than some architecture buffs may bargain for, but enriching in its historical sweep and context.

Pub Date: April 1, 2007

ISBN: 0-8027-1511-7

Page Count: 336

Publisher: Walker

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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