Next book

THE KIDS ARE ALL RIGHT

A brutally honest book that captures the journey of four people too young to face the challenges they nevertheless had to...

In alternating monologues, four siblings tell their story of love, loss, redemption and reconciliation.

In 1983, the Welch children—19-year-old Amanda, 16-year-old Liz, 14-year-old Dan and eight-year-old Diana—were living happy, sheltered lives in a New York City suburb. But this idyllic existence was soon shattered by the death in a car accident of their businessman father, leaving them not only grief-stricken but saddled with debt. Their mother, an actress in soap operas, tried to hold things together but was soon diagnosed with cancer and died three years later after a long, agonizing battle with the disease. Left on their own, the Welch children took very different paths of self-discovery and struggled to maintain the often frayed bonds among them. Amanda escaped to a bohemian life as an NYU student; Liz traveled the world; Dan became lost, first as a stoned-out slacker and then as a mean drunk. Diana was left in the custody of a family whose mother subjected her to endless psychological abuse, while the other siblings tried to convince themselves she was fine. “To be honest, I never thought much about Diana,” writes Dan. “I just assumed she was happy and well. I don’t think I could have handled imagining it any other way.” Diana felt abandoned and, as children do, blamed herself for her feelings. The four eventually reunited, but it was through events they responded to rather than created. Each sibling speaks in his or her own words, as they describe their thoughts and actions as the events unfolded. It’s a love-filled but often fraught dialogue, and the reader is a privileged silent witness to their testimony.

A brutally honest book that captures the journey of four people too young to face the challenges they nevertheless had to face.

Pub Date: Oct. 1, 2009

ISBN: 978-0-307-39604-4

Page Count: 352

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Close Quickview