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THE KIDS ARE ALL RIGHT

A brutally honest book that captures the journey of four people too young to face the challenges they nevertheless had to...

In alternating monologues, four siblings tell their story of love, loss, redemption and reconciliation.

In 1983, the Welch children—19-year-old Amanda, 16-year-old Liz, 14-year-old Dan and eight-year-old Diana—were living happy, sheltered lives in a New York City suburb. But this idyllic existence was soon shattered by the death in a car accident of their businessman father, leaving them not only grief-stricken but saddled with debt. Their mother, an actress in soap operas, tried to hold things together but was soon diagnosed with cancer and died three years later after a long, agonizing battle with the disease. Left on their own, the Welch children took very different paths of self-discovery and struggled to maintain the often frayed bonds among them. Amanda escaped to a bohemian life as an NYU student; Liz traveled the world; Dan became lost, first as a stoned-out slacker and then as a mean drunk. Diana was left in the custody of a family whose mother subjected her to endless psychological abuse, while the other siblings tried to convince themselves she was fine. “To be honest, I never thought much about Diana,” writes Dan. “I just assumed she was happy and well. I don’t think I could have handled imagining it any other way.” Diana felt abandoned and, as children do, blamed herself for her feelings. The four eventually reunited, but it was through events they responded to rather than created. Each sibling speaks in his or her own words, as they describe their thoughts and actions as the events unfolded. It’s a love-filled but often fraught dialogue, and the reader is a privileged silent witness to their testimony.

A brutally honest book that captures the journey of four people too young to face the challenges they nevertheless had to face.

Pub Date: Oct. 1, 2009

ISBN: 978-0-307-39604-4

Page Count: 352

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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