by Diana Wynne Jones ‧ RELEASE DATE: Aug. 14, 1979
This takes place in prehistoric Dalemark, whose later history Jones dealt with in Cart and Cwidder (1977) and Drowned Ammet (1978); but there is no evident connection except that the characters of The Spellcoats have become legendary figures in the other novels. The story, all 250 pages, is purportedly being woven, as it happens, into the coats created by young narrator Tanaqui—at first, it seems, she weaves only to record her family's adventures, but later for the inherent magic power of the woven symbols. Orphaned by a war against blond, invading Heathens, Tanaqui and her siblings (who look like the Heathens) are expelled from their village and embark on a long journey down river to an encounter with an evil enchanter out to capture their souls. The children carry with them three ancestral figures called the Undying. (For a while they also carry an ailing older brother, magically transformed into a clay figure.) They learn en route that The One, the most revered of the three figures, is the supreme river god and their own grandfather, and that their dead mother is also the river—and like Grandfather, a god and one of the figures (the Lady). (At one point, too, the river is seen to be a stream of souls, all tumbling toward the enchanter's net.) For a while the children travel with their own king, who has designs on the One (and on the oldest sister), but they prefer the young Heathen king; when both kings die in battle Tanaqui's brother succeeds both and unifies the land. There's more magic here and less human interest than in the companion novels; only those with an interest in the murky roots of imaginary realism will be swept along.
Pub Date: Aug. 14, 1979
ISBN: 0192752804
Page Count: 260
Publisher: Atheneum
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: Aug. 1, 1979
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by Diana Wynne Jones & illustrated by Paul O. Zelinsky
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by David Valdes ‧ RELEASE DATE: Jan. 4, 2022
A great read offering entertainment, encouragement, and plenty to reflect upon.
A gay teen contends with time travel—and homophobia through the decades.
All Cuban American Luis wants is to be prom king with his boyfriend, but tiny upstate New York boarding school Antic Springs Academy, with its strict, Christian code of conduct, won’t even let them hold hands in public. After a disastrous prom committee meeting at which his attempt to make the event welcoming of queer couples is rejected by the principal, Luis gets quite literally knocked into the past—specifically, ASA in the year 1985. There he meets Chaz, a Black student who attended the school at the same time as Luis’ parents and who died under mysterious circumstances after being bullied for his sexuality. Luis now faces a choice between changing the past to help Chaz and preserving his own future existence. Fortunately, he has Ms. Silverthorn, a Black English teacher and beloved mentor, who offers him support in both timelines. The narrative explores the impacts of homophobia and being closeted, remaining optimistic without shying away from the more brutal aspects. Luis is a multifaceted character with an engaging voice whose flaws are confronted and examined throughout. The solid pacing and pleasant, fluid prose make this a page-turner. Luis’ boyfriend is cued as Chinese American, and his best friend is nonbinary; there is some diversity in ethnicity and sexuality in background characters, although the school is predominantly White.
A great read offering entertainment, encouragement, and plenty to reflect upon. (author's note) (Fiction. 14-18)Pub Date: Jan. 4, 2022
ISBN: 978-1-5476-0710-5
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by David Valdes
by Dana Swift ‧ RELEASE DATE: Nov. 17, 2020
Will appeal to fans of fast-moving fantasy adventures.
Pledged to each other since childhood, Adraa and Jatin navigate the complex politics of their respective kingdoms.
Adraa is the heir to Belwar, and while powerful in most types of magic, she has yet to take the royal ceremony to prove her competency in all nine forms and, with it, her right to someday rule. With half its population Untouched by the Gods—unable to use magic—Belwar struggles with inequities between the Touched and Untouched, reminiscent of societal class divisions. Adraa’s strong sense of duty to her people leads her to fight against the corruption within her kingdom. Jatin, heir to their more magical neighbor Naupure, has spent years polishing his nine colors of magic at the academy, away from the realities of ruling. He and Adraa compare their magical prowess and progress through letters. When Jatin finally leaves the academy, a series of mishaps results in both of them hiding their true identities even as they grow closer in their fight against a ruthless gang. This intricate world with magic-fueled, action-packed fight scenes and snarky, colloquial banter is loosely infused with Asian Indian cultural references. The story also discusses questions of gender inequality, freedom, self-worth, and identity. Adraa and Jatin both have black hair; in contrast to the cover image, the text makes clear that Adraa is very dark-skinned while Jatin has lighter brown skin.
Will appeal to fans of fast-moving fantasy adventures. (deities and their powers, author’s note) (Fantasy. 14-18)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-12421-5
Page Count: 448
Publisher: Delacorte
Review Posted Online: Aug. 27, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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