A paean to mechanized flying and a journal of one woman's learning experiences. It is clear from takeoff that poet Ackerman, has only one love greater than flying—the English language. She plain refuses to write a boring sentence. Oh, few of her paragraphs read like a flight through fog and some of her metaphors never leave the ground, but the reader almost always benefits from her willingness to take risks and from her laudable avoidance of clich‚. Written ostensibly to chronicle the education of a poet-pilot and to document one woman's initiation into the wonders of the sky, it is soon apparent that Ackerman's digressions, internal solos and private cross-countries are as valuable a part of the book as her rhapsodically rendered accounts of her actual air time. In fact, the exuberance of her style and voice may at first put the reader off, as Ackerman nearly overwhelms with enthusiasm and passion. Perhaps it is similar to the feeling a first-timer has when confronting the maze of instruments in an airplane's cockpit: there is something wonderful to be learned here if he or she can only get past the basics. Ackerman's writing style holds out the same promise, one that is honestly kept and demonstrally fulfilled. Uplifting, thoughtful, touching and true.
Pub Date: Aug. 29, 1985
ISBN: 068418835X
Page Count: 332
Publisher: Atheneum
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: July 15, 1985
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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